G3 Review: Wonder Woman #9

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Gown NOT designed by Vera Wang.

G3 has had some issues with Wonder Woman lately. Not the character, but her title. V. summed it up very well in a heartfelt post about her frustration with the comic book’s direction in recent months.

I was OK with writer Brian Azzarello’s dark vision for the Amazons and his revamp of Wonder Woman’s origin, so this isn’t about being anti-change. However, after seeing Diana do something ridiculously gullible in issue #8 and slogging through a disappointing #9, I wonder what happened to the thrilling reboot that came leaping flawlessly out of the gate.

One problem is that the Greek gods have started to crowd Diana out of her own comic, making Wonder Woman more of an ensemble affair than a solo book with a strong central character. You might as well call it Wondy & the Gods. Every superhero needs a good supporting cast to play off of, but the key word is “supporting.” A little bit of Lennox goes a long way.

Azzarello seems barely interested in Diana who, having been shot with a love-drug bullet from Eros’ gun, is being prepped for her wedding to Hades. She’s basically inert here, making bland, tearful conversation with Persephone and playing the role of a dutiful bride-to-be. She’s just plain boring. Most of the airtime goes to assorted deities and Zola, the pregnant woman Diana traveled to hell to save. That’s fine if you didn’t sign up to read a comic book about Wonder Woman.

Cliff Chiang’s only visible contribution is the stunning cover, luminously colored by Matthew Wilson. Most of fill-in artist Tony Akins’ work is perfectly fine, especially the scenes showing the lean, mean Strife, and Hades’ grotesque throne. However, something goes awry in the rendering of Zola. Her face changes from panel to panel, resembling that of a bratty child in some places and a frumpy, middle-aged woman in others.

What troubles me more than disliking an issue of Wonder Woman is not caring — and I’m beginning to worry it may come to that. Like Action Comics, this title got off to a rousing start, then began morphing into something very different from the comic book I fell in love with. Nine issues in, I still don’t have a clear idea of who the character is beyond an awe-inspiring warrior given to bouts of naiveté. There’s a lot happening around her and to her, but it’s deeply frustrating that Diana herself remains at arm’s length. Grade: D+

G3 Review: The Avengers

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If and when DC/Warner Bros. finally gets around to making a Justice League movie, it might want to take some notes from across the aisle. Not all of the Marvel movies have been homeruns, but as the first two X-Men movies and X-Men: First Class proved, it is very possible to make a highly satisfying superhero ensemble film. The Avengers is one of them.

Writer-director Joss Whedon swung for the fences, and the result is a consistently fun, exciting action movie that makes the most of a strong cast. The Avengers doesn’t just throw a bunch of comic book characters onto the screen and then blow stuff up real good. Whedon takes care in defining the players and showing how they come together to execute their first mission.

The objective is to take down that villainous Asgardian diva, Loki (Tom Hiddleston), who pays S.H.I.E.L.D. an unwelcome visit to steal the Tesseract. The glowing cube is central to his plot to rule humanity via alien invasion, and Nick Fury, played by the stoically cool Samuel L. Jackson, knows he’s going to need more than one big gun to stop him. One by one, the future Avengers begin assembling, but it’s a bumpy ride.

Could it be otherwise? Powerful people have big egos and generally are not given to compromise, so Thor (Chris Hemsworth) and Tony Stark (Robert Downey Jr.) are not going to un-puff their chests to work toward a collegial solution. At least not at first. Not everyone is wild about taking on the job, either. Most reluctant is Bruce Banner (Mark Ruffalo), whose priority is keeping his raging inner Hulk at bay. Formidable as the heroes’ combined power is, prickly relationships threaten to undermine the cause.

Killer action sequences and impressive special effects? Check. More importantly, The Avengers is driven by top-shelf performances. No one will be surprised that Downey has some of the movie’s best one-liners and that he nails them. Chris Evans remains earnest as Captain America, but the strain of adjusting to life in a new century is apparent. Hiddleston, with his dazzling but scary smile, is perfectly haughty and petulant. Hemsworth gets to show that the mighty Thor has an unexpected, deadpan sense of humor.

The newcomers are no slouches, either. What a relief that Scarlett Johansson’s Black Widow shines as a highly skilled combatant with a sharp mind, not stereotypical eye candy. Mark Ruffalo does a particularly outstanding job, playing Banner as a scarred man who is calm but subtly dangerous. I wish Jeremy Renner’s Hawkeye had a little more to do, and there are a few head-scratchers — most notably a decision to leave Loki unattended (!) during what amounts to a hero hissy fit.

Though it clocks in at two hours and 22 minutes, The Avengers doesn’t have the bloated, indulgent feel of many blockbusters. It’s so well paced and frequently witty that the time flies. Let’s hope this inspires something of similar quality from the other member of the Big Two.

P.S.: Sit tight after the credits roll. There are treats. Grade: A-

Comic Judgment: Mind the Gap #1

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Mind the Gap #1
Written by Jim McCann
Art by Rodin Esquejo and Sonia Oback
Letters by Dave Lanphear

Image Comics is on fire. Week after week, it’s churning out some of the most interesting and innovative comic books around, and Mind the Gap #1 is no exception. On one level, it’s a tantalizing mystery about how a young woman named Elle Peterssen wound up gravely injured and comatose in a hospital bed. But there is an otherwordly aspect to the proceedings that makes Mind the Gap more than a well-written whodunit.

Though Elle can’t move or speak, she is very much aware of the people around her: the best friend and boyfriend, the disapproving Tiger Mom and worried dad, and the detached younger brother who can barely be bothered to pay a hospital visit. She drifts back and forth between reality and a dreamlike limbo that serves as a stopover between life and death. Turns out that purgatory has a sizable population, and at least one tour guide.

There are so many tasty layers to Jim McCann’s story: Elle doesn’t know what happened to her, and there’s something rotten in the medical explanation. Who is the shadowy figure who keeps having ominous phone conversations about a “package,” and what is up with the frosty dynamic in the Peterssen family? As much as I’m itching to learn the what and why behind Elle’s circumstances, I really want to see how writer Jim McCann develops his cast of players.

This issue is perfectly paced, unexpectedly funny in places, and meaty. For $2.99, you get nearly 50 pages of story with nary a bit of filler — quantity and quality. Even better, those pages are graced by Rodin Esquejo and Sonia Oback’s sophisticated, comely art. It’s the little details that catch the eye, like strands of Elle’s hair intertwining or a pivotal character emerging not out of thin air but curling, white cigarette smoke. The artists obviously took a great deal of care in defining the characters and their surroundings.

With a strong story and a striking visual presence, Mind the Gap #1 makes an excellent first impression. Grade: A

Thoughts on Azzarello’s Wonder Woman

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Wonder Woman means a lot of things to a lot of people. She’s iconic and has permeated the collective consciousness in probably a million different ways depending on the person. So naturally, when Brian Azzarello comes along and changes every damn thing about her save her looks, it is most certainly going to make waves. In the instance of Wonder Woman #7 … he made tidal waves. I am definitely on Team Kelly when it comes to the horrific tradition the Amazons have apparently practiced for centuries, but that wasn’t enough for me to drop the book. Continue reading

G3 Review: ‘Comic Con IV – A Fan’s Hope’

If you have a friend or family member who is baffled by con culture, show them the Morgan Spurlock-directed documentary Comic-Con IV: A Fan’s Hope. With sincerity and affection, it explains to the uninitiated and/or judgmental the world that our crowd knows so well. Alas, we live in a society that interprets wearing a giant, plastic cheese on your head as mere enthusiasm, but regards cosplay as weird. Go figure.

Amid all the geeking out, the movie — filmed at San Diego Comic-Con in 2010 — acknowledges the elephant in the room: Comics have been relegated to the background of a giant convention with “comic” in the name, and that is now largely about mass entertainment. It’s unreal to look at old photos of the first Comic-Con in 1970 and compare those images to the huge scene it is today.

Continue reading

‘Wonder Women’ Documentary is Powerful Viewing

“What are the consequences for women when they are strong, and when they are the central actors of their own lives?”

It isn’t hyperbole to say that every comic book fan should see “Wonder Women! The Untold Story of American Superheroines,” the excellent documentary that premeired last month at the South by Southwest Film Festival. But you needn’t own a single comic book to fully enjoy this film. Thought-provoking and frequently moving, “Wonder Women!” examines the history of fictional heroines in popular culture, and how their highs and lows have reflected the lives of real American women since the 1940s. Continue reading

G3 Review: Danger Club #1

Danger Club #1 (Image Comics)
Written by Landry Q. Walker
Art by Eric Jones and Michael “Rusty” Drake
Letters by Richard Starkings and Jimmy Betancourt

In comics, every teen hero reaches a point where he or she wants to prove capable of saving the world, or at least the day, without adult supervision. It’s a timeless theme that has fueled many excellent stories.

But what if the elders are completely out of the picture, maybe for good? What becomes of the sidekicks, to say nothing of the world, that they left behind? Continue reading

G3 Review: Alpha Girl #2

Alpha Girl #2
Written by Jeff Roenning and Jean-Paul Bonjour
Art by Robert Love, Dana Shukartsi and Diego Simone
Letters by Drew Gill

Imagine if Archie were a grindhouse film, The Walking Dead met Strange Girl, or Pee Wee from Porky’s rolled up an issue of Chew … and smoked it. These are the things I think of as I read Alpha Girl, but Alpha Girl #2 isn’t quite any of those things. With a zombie apocalypse on the horizon, this intentionally gratuitous tale of a 17-year-old girl tries really hard to be fun. Maybe too hard. Continue reading

G3 Review: Archie #631

Archie #631
Written by Dan Parent
Art by Dan Parent, Rich Koslowski and Digikore Studios
Letters by Jack Morelli

Betty and Veronica who?

It takes quite a romance to make a love triangle that’s more than 70 years old seem irrelevant. But that’s precisely what happened when Archie and Josie and the Pussycats guitarist Valerie rocked each other’s world in 2010, making headlines as Archie Comics’ first interracial romance, ever. Continue reading