G3 Review: The Avengers

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If and when DC/Warner Bros. finally gets around to making a Justice League movie, it might want to take some notes from across the aisle. Not all of the Marvel movies have been homeruns, but as the first two X-Men movies and X-Men: First Class proved, it is very possible to make a highly satisfying superhero ensemble film. The Avengers is one of them.

Writer-director Joss Whedon swung for the fences, and the result is a consistently fun, exciting action movie that makes the most of a strong cast. The Avengers doesn’t just throw a bunch of comic book characters onto the screen and then blow stuff up real good. Whedon takes care in defining the players and showing how they come together to execute their first mission.

The objective is to take down that villainous Asgardian diva, Loki (Tom Hiddleston), who pays S.H.I.E.L.D. an unwelcome visit to steal the Tesseract. The glowing cube is central to his plot to rule humanity via alien invasion, and Nick Fury, played by the stoically cool Samuel L. Jackson, knows he’s going to need more than one big gun to stop him. One by one, the future Avengers begin assembling, but it’s a bumpy ride.

Could it be otherwise? Powerful people have big egos and generally are not given to compromise, so Thor (Chris Hemsworth) and Tony Stark (Robert Downey Jr.) are not going to un-puff their chests to work toward a collegial solution. At least not at first. Not everyone is wild about taking on the job, either. Most reluctant is Bruce Banner (Mark Ruffalo), whose priority is keeping his raging inner Hulk at bay. Formidable as the heroes’ combined power is, prickly relationships threaten to undermine the cause.

Killer action sequences and impressive special effects? Check. More importantly, The Avengers is driven by top-shelf performances. No one will be surprised that Downey has some of the movie’s best one-liners and that he nails them. Chris Evans remains earnest as Captain America, but the strain of adjusting to life in a new century is apparent. Hiddleston, with his dazzling but scary smile, is perfectly haughty and petulant. Hemsworth gets to show that the mighty Thor has an unexpected, deadpan sense of humor.

The newcomers are no slouches, either. What a relief that Scarlett Johansson’s Black Widow shines as a highly skilled combatant with a sharp mind, not stereotypical eye candy. Mark Ruffalo does a particularly outstanding job, playing Banner as a scarred man who is calm but subtly dangerous. I wish Jeremy Renner’s Hawkeye had a little more to do, and there are a few head-scratchers — most notably a decision to leave Loki unattended (!) during what amounts to a hero hissy fit.

Though it clocks in at two hours and 22 minutes, The Avengers doesn’t have the bloated, indulgent feel of many blockbusters. It’s so well paced and frequently witty that the time flies. Let’s hope this inspires something of similar quality from the other member of the Big Two.

P.S.: Sit tight after the credits roll. There are treats. Grade: A-

Comic Judgment: Mind the Gap #1

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Mind the Gap #1
Written by Jim McCann
Art by Rodin Esquejo and Sonia Oback
Letters by Dave Lanphear

Image Comics is on fire. Week after week, it’s churning out some of the most interesting and innovative comic books around, and Mind the Gap #1 is no exception. On one level, it’s a tantalizing mystery about how a young woman named Elle Peterssen wound up gravely injured and comatose in a hospital bed. But there is an otherwordly aspect to the proceedings that makes Mind the Gap more than a well-written whodunit.

Though Elle can’t move or speak, she is very much aware of the people around her: the best friend and boyfriend, the disapproving Tiger Mom and worried dad, and the detached younger brother who can barely be bothered to pay a hospital visit. She drifts back and forth between reality and a dreamlike limbo that serves as a stopover between life and death. Turns out that purgatory has a sizable population, and at least one tour guide.

There are so many tasty layers to Jim McCann’s story: Elle doesn’t know what happened to her, and there’s something rotten in the medical explanation. Who is the shadowy figure who keeps having ominous phone conversations about a “package,” and what is up with the frosty dynamic in the Peterssen family? As much as I’m itching to learn the what and why behind Elle’s circumstances, I really want to see how writer Jim McCann develops his cast of players.

This issue is perfectly paced, unexpectedly funny in places, and meaty. For $2.99, you get nearly 50 pages of story with nary a bit of filler — quantity and quality. Even better, those pages are graced by Rodin Esquejo and Sonia Oback’s sophisticated, comely art. It’s the little details that catch the eye, like strands of Elle’s hair intertwining or a pivotal character emerging not out of thin air but curling, white cigarette smoke. The artists obviously took a great deal of care in defining the characters and their surroundings.

With a strong story and a striking visual presence, Mind the Gap #1 makes an excellent first impression. Grade: A

G3 Review: ‘Comic Con IV – A Fan’s Hope’

If you have a friend or family member who is baffled by con culture, show them the Morgan Spurlock-directed documentary Comic-Con IV: A Fan’s Hope. With sincerity and affection, it explains to the uninitiated and/or judgmental the world that our crowd knows so well. Alas, we live in a society that interprets wearing a giant, plastic cheese on your head as mere enthusiasm, but regards cosplay as weird. Go figure.

Amid all the geeking out, the movie — filmed at San Diego Comic-Con in 2010 — acknowledges the elephant in the room: Comics have been relegated to the background of a giant convention with “comic” in the name, and that is now largely about mass entertainment. It’s unreal to look at old photos of the first Comic-Con in 1970 and compare those images to the huge scene it is today.

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G3 Review: Danger Club #1

Danger Club #1 (Image Comics)
Written by Landry Q. Walker
Art by Eric Jones and Michael “Rusty” Drake
Letters by Richard Starkings and Jimmy Betancourt

In comics, every teen hero reaches a point where he or she wants to prove capable of saving the world, or at least the day, without adult supervision. It’s a timeless theme that has fueled many excellent stories.

But what if the elders are completely out of the picture, maybe for good? What becomes of the sidekicks, to say nothing of the world, that they left behind? Continue reading

G3 Review: Alpha Girl #2

Alpha Girl #2
Written by Jeff Roenning and Jean-Paul Bonjour
Art by Robert Love, Dana Shukartsi and Diego Simone
Letters by Drew Gill

Imagine if Archie were a grindhouse film, The Walking Dead met Strange Girl, or Pee Wee from Porky’s rolled up an issue of Chew … and smoked it. These are the things I think of as I read Alpha Girl, but Alpha Girl #2 isn’t quite any of those things. With a zombie apocalypse on the horizon, this intentionally gratuitous tale of a 17-year-old girl tries really hard to be fun. Maybe too hard. Continue reading

G3 Review: Archie #631

Archie #631
Written by Dan Parent
Art by Dan Parent, Rich Koslowski and Digikore Studios
Letters by Jack Morelli

Betty and Veronica who?

It takes quite a romance to make a love triangle that’s more than 70 years old seem irrelevant. But that’s precisely what happened when Archie and Josie and the Pussycats guitarist Valerie rocked each other’s world in 2010, making headlines as Archie Comics’ first interracial romance, ever. Continue reading

Just Go Buy Saga #1 Already

Saga #1
Written by Brian K. Vaughan
Art by Fiona Staples
Lettering/Design by Fonografiks
Published by Image Comics

An exceptional comic book leaves readers thinking not only about the story’s potential, but also the brilliance of what it has already delivered. Saga #1 is that kind of comic. From the beginning, it is obvious that writer Brian K. Vaughan and artist Fiona Staples have created something special, and what a rare joy to read a highly anticipated book that delivers on every level. Continue reading

G3 Review: Action Comics #5

Action Comics #5
Written by Grant Morrison
Art by Andy Kubert, Jesse Delperdang, Brad Anderson, and Patrick Brosseau

It’s the “New 52,” and the new Action Comics, and inevitably we revisit fall of Krypton. But how many ways can Krypton be annihilated? In Grant Morrison’s take on Supes’ origin, he makes subtle tweaks to how it all went down in the House of El. With minor adjustments to previous continuity, Morrison paves the road for a plethora of possibilities for future stories. We press pause on the events of issue #4 and focus on baby Kal-El making it to a planet with a yellow sun and less gravity, so he will be super. Superman’s chunky, little baby self is escorted in a rocket powered by an artificial intelligence Jor-El calls Brainiac. It is Brainiac who narrates this issue, entitled, “Rocket Song.” Continue reading

G3 Review: Life With Archie #16

Life With Archie #16
Written by Paul Kupperberg
Art by Fernando Ruiz, Pat Kennedy, Tim Kennedy, Al Milgrom, Bob Smith, Jack Morelli and Glenn Whitmore

This just in: Life With Archie is friggin’ awesome. Yes, I know the series is no longer new, but no matter how many times I read it, I’m surprised by just how juicy it is. Seeing Riverdale’s former teens as grownups who are grappling with real-life drama is fascinating. LWA has become the comic book version of the TV soap you don’t want to miss. Continue reading