Having rattled many a figurative comics cage in my blogging time in attempts to get publishers to take notice (and they didn’t), it is beyond gratifying to see Spider-Gwen #1 come to print. Last September, a spidey-powered Gwen Stacy graced the pages of Edge of the Spider-Verse #2 as just an alternate-world character, but the fan response was so overwhelmingly positive that Marvel gave Gwen her own book.
What does that mean? Continue reading
Buddy cop comics really aren’t my thing unless it’s Birds of Prey, and they’re not really cops. Although, I’d totally ready a book that paired up Renee Montoya with Starling. That’d be fun. I digress.
Miami Vice had the ultimate buddy cops. Tubbs and Crockett set trends that have reverberated through the film and television generations. Now, there is a comic. One that I think is totally worth your time, particularly if you were ever a fan of the show. This version has some modern pop culture mixed in and Jim Mahfood’s extravagant art. “Remix” is a perfect moniker.
You can read my full review HERE.
As a brief introduction, Casanova #8 was one of the first comics I picked up when I started working at a comic shop in 2008. I had no idea what it was – it might have been a FCBD promo – and the title led me to believe that it would revolve around a dude boning a lot of ladies or something. Not really my wheelhouse, but the cover drew me in immediately. Continue reading
Tons of my comic nerd colleagues sing the praises of Mark Waid and Chris Samnee’s Daredevil. So, I have known for like years that I should probably read it, but it’s just one of many books I had not gotten around to reading yet. Continue reading
Dark Horse Comics kicks off the year with an excellent new comic called Lady Killer by Joëlle Jones, Jamie S. Rich and Laura Allred. I’ve actually been a fan of Joëlle’s style for quite some time now, and you may have seen her selling some of her prints at a con near you. Anyway, her talent is thoroughly showcased in this book. The art is fantastic, you guys. And Laura Allred’s colors are to die for (pun intended). Continue reading
How do you take the exploitation inherent to the “Women in Prison” genre fiction and turn it on its head to be an allegory for patriarchal oppression giving way to an unapologetic feminist theme? Continue reading
If you had the resources, would you buy companionship? Not the temporary human kind but something programmed to serve and please you? And what if that companion were so lifelike that, at first glance, you wouldn’t know he or she wasn’t sentient?
It’s possible in Alex + Ada (Image), and the answers aren’t as simple as you’d think. The subject of people interacting with human-like beings has been explored before, but Alex + Ada goes beyond the obvious pros and cons to unfold in ways that are surprising, frequently suspenseful and emotionally resonant. After totally sleeping on this comic by Jonathan Luna and Sarah Vaughn for the past year, I’ve gone into full binge-reading mode. Continue reading
Wonder Woman entered the Meredith and David Finch era last week with issue #36, and the good news is that it succeeds in bridging the previous run and the new without being off-putting for new readers. Those of us who were worried about Diana looking overly cheesecakey can breathe easy, as David Finch’s take on the character is respectful. Meredith Finch’s story is perfectly fine overall, and I’m glad to see Wonder Woman back at the center of her title. There is no real “wow” factor to the proceedings, though. That’s not a deal-breaker this early in the game, but I do hope there is more than standard fare on the horizon. Check out my full Newsarama review HERE.
I love it when a new character comes along and lights my fire. Punk Mambo would be just such a character. Born in the pages of Shadowman, she is Peter Milligan’s baby. She’s definitely got spit and fire. She’s also got a cavalcade of dark magic that could totally melt your face. The best part about her is that she marches to the beat of her own strange drum. I reviewed the one-shot out tomorrow by Valiant, and this would qualify as a great girl story. You can read my full review HERE.
And in case you missed it, I reviewed the final issue of Azzarello and Chiang’s Wonder Woman a couple of weeks ago. You will not be at all surprised to know that I got a little saucy with it. While you’re there, check Lindsey’s review of Elektra, too.
You guys, Robert Gill’s art is baller!
I am fully under the spell of “The Chilling Adventures of Sabrina,” the latest top-notch offering from Archie Comics. Written by Roberto Aguirre-Sacasa, it’s a dark, compelling and completely accessible story with fantastic art by Robert Hack. Read my full review of issue #1 HERE.
Ever since Spider-Gwen was announced, the comic world has been buzzing with praise for her design, cosplayers are popping up at cons and there was an all-around anticipation-high for the character. Jason Latour and Robbie Rodriguez’s Edge of Spider-Verse #2 features Gwen Stacy as the unwitting soul who got bit by a spider in all her tenacious glory. It’s a strong start and a great (girl) character. You can read my full review HERE.
Edge of Spider-Verse’s Spider-Woman by W. Scott Forbes
As a longtime Riverdale fan, I had all of the feelings when Archie Comics announced a certain iconic redhead’s death in Life With Archie #36, out last week. You can read my review in Newsarama (and Lindsey’s review of Squidder #1), but suffice it to say that it fell short in my opinion. I say that as someone who has thoroughly enjoyed the Life With Archie series overall and cares about the characters in that universe. Check it out, and if you’ve read this issue, I’d love to know what you thought.
On brighter note, my friend Craig had an amazing idea: “It’s the perfect opportunity to pitch my proposal for “Betty and Veronica: Riverdale’s Avenging Angels.”
You’re welcome, comics.
You know how much I love crossovers, right? In last week’s issue of Superman/Wonder Woman, the Superman: Doomed arc dominated its pages and not really in a good way. As is the case almost all of the time in a crossover event, you are missing key pieces when you don’t read all of the titles in order. So, there was that. Continue reading
One of the most memorable and well-done stories in recent history over at the DC of comics is Greg Rucka’s Detective Comics featuring Batwoman and his creation of the antagonist, Alice. When J.H. Williams was chosen to relaunch Batwoman on her own title, he made it clear that Alice would only be revisited with the utmost of care because he had so much respect for what he and Rucka had done previously. While he was on the book, Alice was revisited in his final arc, and I think he did a fine job. Continue reading
Seems like Deadly Class is making quite the splash as is the way of things when Rick Remender is at the helm. Check Lindsey’s full review of Deadly Class #2 right HERE.
We love our leading ladies, and the latest superheroine to get her own title is She-Hulk. Check Lindsey’s full review right HERE!
The all-female X-Men started off full of promise. The first issue had a solid premise and was graced with Olivier Coipel’s stellar lines. The first arc laid the groundwork for a variety of female characterizations we rarely get to see in superhero comics like single-motherhood and alpha-female postulating. Continue reading
There’s been plenty of buzz surrounding the release of Ms. Marvel #1 featuring a new title character, Kamala Khan. Kamala is a 16 year-old Pakistani-American, Muslim geek girl who loves the Avengers, fantasizes about being super and just wants to fit in with her peers. Continue reading
Yesterday at the comic shop, I grabbed a peek at Deadly Class #1 because I knew it was Remender’s new book. As you know, I am a follow-the-writer kind of fangirl. A quick perusal of the pages struck me with some fantastic art.
For more on Deadly Class #1, check Lindsey’s full review right HERE.
I am a massive Beatles fan and relished the opportunity to geek out with Sidebar Nation’s Swain Hunt about Dark Horse’s “The Fifth Beatle: The Brian Epstein Story” in a Sidebar podcast. This truly exquisite and poignant graphic novel tells the story of the Beatles’ manager, Brian Epstein, the man who played a central role in making them icons and struggled greatly in his personal life as a closeted gay man. Written by Vivek J. Tiwary and gloriously illustrated by lead artist Andrew C. Robinson (with notable contributions by Kyle Baker), it’s one of the best things I’ve read this year. We loved the hell out of it, so check us out as we discuss the many highlights.
CLICK HERE to listen to the podcast.