G3 Interview: Rob Kelly of ‘Ace Kilroy’

Back in the Mesozoic era, I spent a lot of time reading newspaper comic strips. They were a natural source of entertainment for a kid who already loved comic books, and the Sunday funnies section in particular was a big, colorful treasure box. While I was partial to the more contemporary stuff like Bloom County and (do not laugh) Funky Winkerbean, the long-running adventure strips — think Dick Tracy and Mark Trail — were undeniable classics.

The new Ace Kilroy webcomic, created by Joe Kubert School alums Rob Kelly and Dan O’Conner, is an homage to those old-fashioned serial comic strips. Set in the 1930s, it stars a square-jawed, hard-drinkin’ soldier of fortune who’s been tapped by FDR to take on a mission involving vampires, werewolves and the Third Reich. Continue reading

Geek Girl We ♥: Ashley Eckstein of Her Universe

Ashley and Ahsoka

Actress and designer Ashley Eckstein is living the dream of every Star Wars fangirl. As the voice of Anakin Skywalker’s scrappy apprentice Ahsoka Tano on the Cartoon Network series Star Wars: The Clone Wars, she’s become a part of sci-fi history. But even as a member of a legendary franchise, Eckstein encountered an all-too-common problem for female geeks: a lack of Star Wars items for women in retail stores. Sure, one could make do with a boxy tee made for a man, but that shouldn’t be a woman’s only option.

Eckstein took action, approaching Lucasfilm with a proposal to create licensed Star Wars apparel and accessories for the ladies. The result is Her Universe, an online shop that has quickly caught on with fangirls. It’s not just that the clothes are cut for the female body; they also have themes with women in mind. When was the last time you saw a tee based on Vader’s relationship with Leia, and not Luke? And there’s no question a market exists. The same week that I interviewed Eckstein, a friend texted me from (insert large retail chain here), ticked off that the store’s only Boba Fett shirt was for guys. In the interest of full disclosure, I own the Luke Skywalker tee, which never fails to make a guy geek say, “That’s an awesome shirt.”

But while the business is growing — the Her Universe SyFy Channel line launches this month at San Diego Comic-Con — Eckstein said she also wants to create a community and make a statement.

“This isn’t just about cool T-shirts,” said Eckstein, who grew up in Orlando. “This is about giving female fans a voice and trying to break down the stereotype that Star Wars is just for boys; to create an environment so that little girl, Katie, doesn’t have to go to school and worry about being bullied for her Star Wars water bottle. There are a lot of us, and we’re a force to be reckoned with.”

We talked to Eckstein about dressing the female geek, her origin story, and what it’s like to be part of the storied Star Wars universe.

Girls Gone Geek: When did you become a Star Wars fangirl? What was your conversion moment, so to speak?

Ashley Eckstein: I have an older brother, and I always watched everything he did. So of course, Star Wars was a movie that we watched. I remember having that influence as a kid, and playing Star Wars at a young age. Star Wars did have a place in my childhood, but I really became a fangirl when I started working on The Clone Wars. We really have to understand the story to best perform our characters, and (Supervising Director) Dave Filoni goes into detail about the backstory of each episode. Naturally, after working on the show for almost six years now, I’ve just become a massive fan.

G3: How did you land the role of Ahsoka?

AE: I tried out for the show just like any other audition (originally for the Padme role). I remember telling my agent, “I don’t really sound like Padme, but I’ll go in.” Sure enough, the very first line out of my mouth, they stopped me and said, “Your voice is too high, but we do have this new character who’s a 14-year-old girl. Would you mind reading for her?” … I ended up getting the part, and they wanted me to use my own voice. With my natural expressions, how I talked, and my body movements, they just felt that I embodied what they envisioned for Ahsoka.

G3: When did you begin to notice that there wasn’t much Star Wars female apparel? Were you making your own stuff in the beginning?

AE: I was making do with what I could find in the boys’ department or the men’s department. When I was cast in The Clone Wars, I owned one Star Wars shirt that was made for girls. The rest of them were all men’s or boys’ shirts. I figured there had to be more fashionable products out there for female fans, but I found out that they didn’t really exist. Close to half of all Star Wars fans and science fiction fans in general are women, and 85 percent of all consumer purchases are made by women. It didn’t make sense.

I’ve always been into fashion design and arts and crafts. For all the women (on the set), I was buying men’s Star Wars hats and bedazzling them with Swarovski crystals. I didn’t know if I could make a difference, but I was in contact with the people who made those decisions at Lucasfilm. I figured I could at least say something.

I started petitioning everyone at Lucasfilm, saying, “We need more merchandise for female fans.” They really value their female fans, and they gave Her Universe a chance. It was a couple of years in the making, but I have to give them a lot of credit.

G3: It seems to be a carefully edited collection, and it taps into the things that resonate with fangirls. The Daddy’s Little Girl shirt reminds people that Leia is part of that Luke-Vader dynamic, too.

AE: Each item has a story behind it. Most of the designs were inspired by other women — close friends or cast members from The Clone Wars. I either made stuff that I would want to wear or that my friends would want to wear.

Awww.

I would go conventions and Disney Star Wars weekends, and I would see all of these little girls and women who talked about how they were introduced to Star Wars by their fathers, and the close bond they had because of Star Wars. It wasn’t just the dads and the sons. That (Daddy’s Little Girl) shirt was inspired by all those relationships. You always hear about the line, “Luke, I am your father,” but what about that whole other storyline that we never got to see? [Note: Illustrator Katie Cook did the design.]

G3: What has the response been like, especially at cons? Are women immediately drawn to your booth?

AE: Definitely. When you get down to the nuts and bolts, there’s not much (at cons) that is specifically made for the women. When you take all the non-licensed product away, there’s nothing left but a bunch of boxy T-shirts and a couple other T-shirts here and there. On the first day, they’re just looking. By the last day, people are coming back to us saying, “We’re back to buy the shirts, because this is really the only thing that’s made for us.” In terms of licensed product, no one is really catering to the female figure.

G3: Female geeks have always been out there, but why do you think we’ve become so visible in the marketplace?

AE: I definitely think it’s the Internet and social media. Girls are finding their voice in this arena, and we’ve seen that if we speak up and band together, we will be noticed. It’s become more socially acceptable to be a fangirl or fanboy, and with all the shows and movies that are sci-fi related, it really is chic to be geek. I know some consider that to be a tired phrase, but it’s given girls more confidence to step out and say, “I’m a nerd. I’m a dork. And I’m proud of it.” If we continue to speak up, people aren’t going to be able to ignore us.

Our next step as a brand is to get into the retail market. There’s one store that we’ve reached out to, and they said, “Oh, no. Our consumer isn’t interested.” It was very disconcerting. The biggest thing I can ask is for girls to go into the stores. If you want this product readily available, speak up and go to the stores and request it: “See the boy’s Star Wars section? We want it for girls, too.” Women’s apparel has always been an afterthought. We want to bring it to the forefront. The goal is to be treated fairly.

Ashely hangs with R2-MK and Mickey during Disney's Star Wars Weekend.

G3: Ahsoka is an interesting character because she challenges Anakin in some of the same ways he challenges Obi-Wan. Do you have any insight into whether she’s become popular with girls who are discovering Star Wars?

AE: From the very beginning, I asked Lucasfilm if they hoped that they would gain more young girl fans because of Ahsoka. They said, “Well, we didn’t set out to do that with this character, but that would be great if we did.” The number of little girls (at Star Wars Weekend) who want to be Ahsoka, who dress like her, and who tell me they play Clone Wars on the playground … is just amazing. As an actor, you are a role model by default. These kids do consider what you do and look up to you. I take it very seriously. To be able to make an impression on kids and especially young girls by being the voice of Ahsoka is an absolute honor.

G3: Finally – Han or Luke?

AE: (Laughs) As you can tell by the Luke shirt, I’m definitely more of a Luke girl. I always liked the good guy. Han gets all the love, so I wanted to show Luke a little bit of love.

Hell, Yeah! All-Female Creative Team Reveals Teenage Satan Comic

If you’re at Boston Comic-Con right now, chances are you’ve heard the buzz about Teenage Satan, an online, multimedia comic project unveiled just today by the creative team of artist Stephanie Buscema, and writers Marsha Cooke and Candis Cooke. All-female, creator-owned comics are a rarity, and these days, any comics for young adults are scarce. Teenage Satan will fill that niche with the adventures of Luc, a 14-year-old high school freshman who just happens to be the future leader of the underworld. Continue reading

Q&A: Wapsi Square’s Paul Taylor

There’s a stereotypical notion that men don’t know how to write female characters, but readers of Paul Taylor’s Wapsi Square would beg to differ. While this online comic is supernatural and often macabre in nature, it’s grounded in the relationships and everyday lives of its young, female characters. Museum anthropologist Monica Villarreal is a twentysomething with a close-knit and diverse group of girlfriends, but she also happens to live with an Aztec god … of alcohol. The comic has been going strong for a decade, and Wapsi Square won a 2009 Lulu Award for Best Female Character. Writer/artist Paul Taylor gave us some insight into the creator-owned strip, which he suggests newcomers start from the beginning. Continue reading

Anti-Matter Web Series Is Comedy Gold For Geeks

Life in a comic book shop is ripe for comedic exploration. Aside from the wacky conversations that are specific to comics geeks, there are the only-in-retail scenarios and tensions that arise in a small business, especially one that employs Gen X/Y employees. For people who visit an LCS every Wednesday, the awesome Anti-Matter web series is essential viewing. It’s a funny (sometimes bitingly so) comedy that takes place a New York comic book shop, and the characters are oh-so true to life. E. talked to the show’s writer/director Chris Walker, a former comics colorist for Marvel and DC, about all things Anti-Matter, and why it resonates with people who own longboxes.

G3: I love the old-school opening of Anti-Matter. It reminded me of classic TV shows like “Taxi.” Was that intentional?

Chris Walker: Thanks. It’s cool you were able to pick it up. It’s a homage to the old workplace comedies of ‘70s like “Taxi,” WKRP,” “Welcome Back Kotter.” They are a big influence on the show, which is especially apparent in the  opening.

G3: You’ve obviously spent a lot of time in comics shops. How did the idea for a web series about comic book geeks come about? It’s a very specific slice of life, but that’s what makes it funny. I swear, it looks just like my LCS!

Anti-Matter writer/director Chris Walker

CW: Ha! That’s why I love Hanley’s, it has a classic comic store feel to it. Very nostalgic.The series came about from thinking of ideas for comedies. I wanted to transition from a colorist to a comedy writer/director. I went through  various ideas for projects and  I thought, “Well, I know one thing that’s funny — the hijinks and conversations that go on at your local comic store!” They say write what you know, so I did!

G3: What kind of feedback have you gotten? I’m curious about what the response from non-geeks has been, too.

CW: People really like the show. Sometimes it takes a second or two to get into the series because it’s a little different from other webseries. It’s straight ahead, not too over the top, and episodic rather than serial. The general expectation of “comic book show” is zany and weird, but when people watch it , they’re like, “Oohhhhh that’s funny!” Non-geeks seem to enjoy it just as much as comic fans. The series hits many “comic nerd” high notes that diehard fans enjoy, while also taking a humorous look at friendship and the transition to adulthood, which is universal.

G3: Tell us about the cast. They’re naturals, and very believable as longtime acquaintances. Are they professional actors, buddies or both? Are the characters based on real people that you know?

CW: I love my cast. They are such a talented bunch, and I feel very lucky to work with them. The joy of working with them kept my spirits high throughout the entire process. They are all professional actors and comedians. You’d think we’d known each other for a long time, but I met all of them through casting sessions. The fact that most people think the cast and I have been friends since the sandbox underscores their talent. I met most of them I met through an e-mail blast sent out to the Upright Citizen’s Brigade mailing list. The turnout was fantastic. In fact, I actually created a several new characters because of how impressed I was by their auditions.

G3: Do you have a favorite episode? The Kung-Fu piece with Jeremy and Dennis made me laugh out loud, and I don’t even play video games.

CW: My favorite episode is “Entourage,” which will be the last episode of the season. I think you’ll really enjoy it since you liked Kung-Fu. It teams up Dennis and Jeremy for more comic buddy antics. One thing I enjoy about the series is the comedy mix. Depending on who’s onscreen, the comedy could range from witty to hare-brained, but it all has the context of “happening at the store,”so it feels believable.

A scene from Anti-Matter

G3: Since there are a ton of comics shops in New York City, what made you choose Jim Hanley’s Universe? Is that where you get your weekly Wednesday fix?

CW: I wanted an old school comic feel. I like the new shops, but Hanley’s really seems like the kind of place where you can go to chew the fat with other fans. It has a very “Cheers” feel to it. I’ll pop in to say hello to the guys and see what new stuff is out. I encourage everyone if they are in New York to go in and say hello to the staff. They are super friendly and know their comics.

G3: What are your favorite comic books right now?

CW: A friend of mine, an artist named Shake, has  a book called Infex that’s really cool. I’m also a big fan of Chris DiBari and his work at Top Cow. I’m enjoying Top Cow’s mix of genre, fantasy, heroes and sci-fi. I’m also a big fan of anything Brandon Graham puts out.

G3: Do you plan to keep the episodes short, or is it possible that we’ll see an Anti-Matter expansion? How often do you post new webisodes?

CW: I like the short episode format. In the future we might extend to a 10-minute format, with two plot lines happening in the same episode like an traditional sitcom. I would love to create little 30 to 45-second character vignettes that let the audience know more about their favorite character. We try to put up new episodes bi-weekly. We have three more episodes until the end of Season One. The next episode is planned for Jan. 15.

G3: Any upcoming developments/episodes you’re excited about?

CW: I’m in talks to do a next season, which would be great. I’m excited the series is gaining an audience and have more stories to tell. I’d love to spin off MacKenzie and Kayla to explore the whole geek girl phenomena. Fangirls have always been a large part of comics, so for me, this movement is long overdue. I think it would be a lot of fun to create a show based on their day-to-day geek girl experiences.

Exclusive BatWondy by Celina Hernandez

Wonder Woman and Batman by Celina Hernandez

Connecting with writers and artists we admire is something V. and I have enjoyed immensely since starting this blog. They often turn out to be as gracious as they are talented, and artist Celina Hernandez is no exception. Among other things, Celina does the delightful art for Brian Andersen’s Reignbow and Dee-Va, and So Super Duper — two comics you should definitely check out. Just for Girls Gone Geek, she illustrated this BatWondy image, which is just plain beautiful. What I love about this piece is its powerful simplicity. Bruce is practically enveloping Diana with love, and (squeal!) she’s caressing his face. I’d barely recovered from our 12 Days of BatWondy series, and this has sent me right back to Swoon Island. In any case, we’re very happy to share this lovely, romantic moment with the world. Thank you, Celina!

Take A Trip To Sidebar Nation

There are plenty of comics podcasts out there, but the guys behind the Sidebar Nation chatfest  — Dwight, Swain and Adrian — are some of the most knowledgeable, opinionated and flat-out funny geeks ever to rock the mic. We had the pleasure of meeting Dwight at Dragon*Con, and Swain moderated the excellent Dark Knight panel. Based out of Atlanta, the Sidebar Nation crew has interviewed some of the biggest names in comics, and their fandom runs deep. They’re super cool to boot, and I learn something every time I tune in. G3 chatted it up with the guys via e-mail, and they were kind enough to answer our nosy questions. If you haven’t listened to their podcast, check it out at their site or via iTunes. You’ll be glad you did.

The Sidebar Nation crew: Dwight, Swain and Adrian

G3: What was the catalyst for the show? It’s obvious that you guys know a LOT about comics, so did the podcast grow out of conversations you were having already?

Dwight: Swain and I have always had these long and frequent art-centric conversations. Shortly after the advent of podcasting, and being fans of the comics medium in general, we decided to give our ideas and opinions a broader audience. I only know as much about comics as I’ve read though, so I really can’t say I know a lot about current storylines. My real collecting period started in the mid to late ’80s and through the ’90s.

Swain: Dwight’s right. We’ve been buds for quite some time and comics fans for even longer, I think. And our talks tended to go waaay off the rails. Once we started listening to podcasts and then, of course, comics podcasts, we decided to give it a shot. Three years later, here we are.

G3: What are your backgrounds? Do any of you work in the industry, or are you just extremely well-informed fanboys?

Dwight: I have done various things in small press (code for never published/maybe digital) and worked as a graphic designer for seven years. I still do that kind of work when I am asked to and if its profitable. I guess one can say, if I were playing D&D, I would be an adept. Ha ha!

Adrian: I was born and raised in Atlanta, where I eventually went to the Art Institute of Atlanta for a year. I also worked in a comics shop for about four years. So just by constantly reading new things and haunting the Art Institute library, I began to acquire most of my working knowledge of comics and art. But I think we three are very well-informed. I’m definitely a stickler for facts. I’m the guy who talks aloud back at podcasts if they don’t get their facts right. I don’t work in the comics industry proper, though I’ve had minute brushes with it. For several years, I freelanced as a graphic designer/illustrator. I stepped away from it once I had my first child, but now I’m back with an exclusive emphasis on just being an illustrator.

Swain: I do not work in the industry, comics-wise or art wise. I drew and studied art when I was much younger, but never pursued it to that end. I consider myself now to be more of an enthusiast — an art nerd, if you will. Comics is something that I’ve always loved, and with that, yeah, I guess I am a fairly informed fanboy.

G3: One of the things I really like about the show is that you’re very candid, and you’re not afraid to share your opinions if a project isn’t up to snuff, or if there’s an industry practice that bugs you. Considering that you interview many prominent creators, has that ever been an issue, like someone saying, “Dang. You kind of went off on my golf buddy (so-and-so).”

 

 

 

 

 

 

 

Darwyn Cooke and Adrian at Dragon*Con 2010

 

Dwight: No, we haven’t really had any issues with creators, only other longtime fans who felt we were perhaps too flippant, and ready to dismiss the comics medium as fodder for a bigger entertainment industry. That has in fact, engulfed most of the older more socially relevant comic related-properties. But yes, we do go off on tough love soapboxes at times, and some fans of comics have expressed their anti-praise.

Adrian: That’s definitely something that we strive for. It’s our podcast and a forum to air our opinions on subjects near and dear to us. Otherwise, why do it? As for a creator coming back and not liking how something went down, it really has never been an issue at all. But if so, then as Swain is wont to say, “A hit dog will holler.”

Swain: Not yet, although nobody likes everything that comes up on our show. Generally with interviews though, you wanna talk to people who have things that interest you. Thus, you’re really there to celebrate something or someone you think is good. It’s the nature of this type of interview show. That said, my stance has always been if a guest asks me my opinion on a project of theirs that I don’t like, I’ll tell ‘em. I think that’s fair.

G3: Since you’re based in Atlanta, what can you tell us about the comics scene there, both from a fan perspective and a creator perspective?

Dwight: Atlanta is great for comics. There are a number of small bookstores that have been around for a while, and that have a pretty significant amount of diversity in comics and art related to the genre. There are also a lot of talented locals here who are either in the industry or aspiring to be, and it makes for a interesting hodgepodge of creative energy. It can be somewhat hard to network at times, but you can eventually find a few people if you go to the right places like conventions and comic shops.

Adrian: The fan scene in Atlanta is fairly tight-woven. You see the same people at the same shops and local haunts around town pretty often. You may not know their names, but you know them by face. So it’s cool to have that occasional mutual connection when you are rifling through back-issue bins or checking the New Release shelf. Plus, these days, most fans are artists who are trying to do comics themselves. As such, there is a proliferation of smaller sects of local artists banding together. While some are studios, most are groups of like-minded people who love doing comics and illustration. And these groups always have six degrees of separation where “this guy knows this guy, and he does life drawing classes with this girl…” Great fellowship and sharing usually happens as a result. Ultimately, I love the spirit of D.I.Y that springs forth.

Swain: It’s strong to me. A handful of really good comic shops, Dragon*Con, lots of creators live here. I think it’s one of the better places for comics in the U.S.

G3: What titles are at the top of the Sidebar Nation crew’s pull lists right now?

Dwight: Sadly, I’m not collecting anything right now, unless it’s an artist or creative team I like.

Adrian: I don’t read new mainstream titles at all, but I have my exceptions: anything by Darwyn Cooke, the Hernandez Brothers or Kyle Baker. I am really enjoying Chris Samnee on Thor: The Mighty Avenger. I’m always on the lookout for new books from Fantagraphics. I also enjoy the annual hardcovers of Yoshihiro Tatsumi’s manga from Drawn and Quarterly.

Swain: I’m with Dwight on this one, although moreso for fiscal reasons. I don’t have a pull list any longer. The prices for monthly comics have pushed me away from being that committed. I do, however, stop in weekly and try to find something of interest. IHowever, I do still follow names I like here and there: Ed Brubaker, John Paul Leon, Skottie Young, Bryan Hitch, Eric Canete …

G3: Many people still think of comic book fandom being almost exclusively white and male. Not to put you guys in the diversity box, but your podcast stands out because you defy that stereotype. Is that something that’s important to you, or are you just doing your thing and letting that speak for itself?

Dwight: I have to say that for me, it’s always been about the quality of the individual experience inside of the stories or characters I was reading. Much in the same way so has been the rather unconscious effort to be relatable, purely on the insights or follies of my own opinions. Diversity has never been a true point of contention or interest to me. I related to Peter Parker and Sam Wilson, while at the same time digging into and understanding the plights of Vanth Dreadstar, Adam Warlock and Norrin Radd. So the short answer is we let our thing speak for itself.

Adrian: It is something that is very important to me. Like if you saw me in person and didn’t know anything about me, I would just be a big black guy. So a person may already have preconceived or stereotypical notions about people who look like me. But once you hear me or Swain or Dwight speak and what we know, it’s always satisfying to see that melt away. So whether people want to admit it or not, there is an undercurrent of race and gender that runs through our hobby and the industry. Just like the rest of the world at large. Also, while I’m mentioning gender, we’ve never made an issue with female creators being defined by their gender. If you’re good, you’re good. That’s all. So it really sticks in my craw quite a bit when male interviewers will all but say, “You’re pretty good…for a girl.” I really can’t stand that.

Swain: I think we’re just doing our thing. The show is good, to me, because we gravitate towards good work first. I rarely think about all that other stuff.

G3: Given the depth of your geekery, you must have some strong opinions about the future of comics. If you had an audience with the Powers that Be, what would you ask for more of – or less of, for that matter? (Our personal gripe is Event Mania.)

Dwight: If I could say anything to the PTB, it would be, “How about letting characters mature to expiration and the let their sons an daughters pick up where they left off instead off reinventing the origins of what has been successful before?”

Adrian: I would ask for lower cover prices on the monthlies. One of the reasons I don’t read many new releases now is that they are cost prohibitive. Even $2.99 for an issue is too much. That’s three dollars for almost 5 to 10 minutes of entertainment? Price the issues to move and be cheap, accessible entertainments like they used to be. Save the high production values for the hardcover or paperback.

Swain: I’m with you girls. (I’d like) way less events and corporate-driven storylines. The best comics in the history of comics have always been created by folks who had a story to tell, the talent to pull it off and opportunity. I say let the writers and artists do what they do. Guide them for sure; it’s the publisher’s money being spent, but cut ‘em loose!

Ponies + Superheroes = Delight

Jodi Moisan's Wonder Woman Day Pony

For every woman who grew up loving comic books and ponies, visual artist Jodi Moisan’s superhero/My Little Pony mashups are, as V. aptly put it, “So much perfect!” Jodi is one of the many creative talents who have contributed pieces being auctioned for Wonder Woman Day, the Wonder Woman Museum’s annual project that supports anti domestic-violence programs. Delightful and highly detailed, Jodi’s ponies of Wondy, Batgirl, Modok, Mockingbird and Wolverine made my inner 6-year-old positively giddy. And as the mother of an actual 6-year-old, I know there are scores of girls and boys — and grownups, for that matter — who would love to get their hands on these four-legged action figures. No less than Stan Lee is a fan of Jodi’s work (he has a custom Stan Lee figurine that she made), and John Byrne owns one of her ponies.

Jodi was kind enough to talk to Girls Gone Geek about her work and her longtime appreciation of comic books and various things geek-related. Continue reading

Geek Girl We Love: Dominique Agri of Comics Period

Dominique of Comics Period

Dominique Agri is the kind of cool, intelligent woman that we dream of running into at comic shops and hanging out with. Dom, as we call her, is the force behind Comics Period, where she not only blogs about the comics medium, but also does educational videos on the history of characters and their impact on the larger culture — hence the tagline, “The Reading Rainbow of Comic Books.” She also writes the Vlog Girl comic strip (illustrated by Anthony La Hara), which has reflected her adventures as a fangirl in a guy-dominated world. Girls Gone Geek recently interviewed Dom about Comics Period, her origin story, so to speak, and the books that make her look forward to Wednesdays.

G3: How did you get into comics? You’ve written about how none of your friends read them, so what unleashed your inner fangirl?

Dom: When I was about 7 years old, my father (a lifelong comic reader and fan) started buying me weekly titles. I collected mostly Archie books, but anytime there was a major story arc, I’d get those too. I was fortunate to be a reader during the “Superman dies” series, so I have that (not the one in black plastic) as well as the entire Funeral for a Friend collection. Occasionally, I’d get some other random titles. My dad recently reminded me I have the first Guy Gardner books as well as some X-Men – LOVED the cover for Jean and Scott’s wedding, and the Batman-breaks-his-back books. Since then, I’ve always loved comics and their characters, and though I’d stopped collecting, I tried my best to keep up to date with movie and trivia news.

About three years ago, I started re-watching all the ’90s cartoons I’d loved in elementary school, including “Batman” and “Superman: the Animated Series” and “X-Men.” Then “Justice League Unlimited” started airing nightly on the Boomerang network, and I was hooked.

I was getting my M.A. degree in Women’s History at Sarah Lawrence at the time and had to start thinking about my thesis topic. When watching Wonder Woman deflect bullets with her bracelets in one episode, I asked myself, “How many female comic characters are impenetrable?” The obvious symbolism was laughable, so I started doing some online research and stumbled upon Gail Simone’s now defunct website, “Women in Refrigerators,” where she lists everything that has happened to female characters in terms of their death, rape, de-powering, etc. I wrote her an e-mail asking if I could help her with research for the site in hopes of narrowing a thesis topic. She responded within the day saying that she hadn’t worked on the site for years, and that her entire operation is her and a computer, but thanked me for my interest.

Dom's avatar by Vinnie Tartamella

After that, I kept up with my research and started checking every comic history out of the library that I could. One name that kept popping up was Trina Robbins, so again, I sent her an e-mail. She also responded within the day, but this time, invited me to come out to her San Francisco home and help her organize her “Aegean stable-sized Golden Age collection.” Of course, I jumped at the chance. I worked it out so I would get school credit and spent a week in June with Trina putting together original pieces for gallery exhibitions and organizing her many shelves of comics. It was like a dream. Her apartment was filled with toys, original prints, and some of the coolest comics ever.

It was there that I learned the origin for Wonder Woman’s invisible plane on the floor of her office. Trina spent time talking to me about my goals and offering invaluable advice for my thesis. When she asked me what I knew about comics, I told her I knew Marvel and DC characters. She told me I didn’t know a thing and took the time to introduce me to some of the historical genres like underground and independent books. She gave me the names of authors, creators, websites and books so that I could research it all when I got home. Though my search was now broader than ever, I finally felt I had a mentor to help me navigate my way around this now unfamiliar territory.

When I started school in the fall and pitched my ideas about women behind comics, or the many female characters of the comic universe, my professor asked me to narrow it down. I’d had an idea to write about the origins of the Amazons and the myth perpetuated by the Wonder Woman comic. It was then that my thesis director asked me why I wouldn’t just write the history of Wonder Woman. It sounded so easy. I’d thought it’d been done before, but going around the room of 16 women, all from different ages and backgrounds, only a few of them knew of her and mostly because of the 1970s television show. From there, I started my research on Wonder Woman, specifically. I got to make copies of her original books in the Library of Congress. I picked up every graphic novel I could find, and I started looking online for commentary, websites and individuals who could help me.

What I found was alarming. There was very little on the ’net that could help me find my way through her history. It was mostly sites with men in their 20s giving their opinion about weekly books. The Comic Book Resources website was helpful, as was Alan Kistler’s history of the character (which, in my weaker moments, I might have plagiarized if his writing style wasn’t so different from my own). But overall, nothing like what I needed existed, and I spent a lot of time and money backfilling her books so I could fully understand this character.

At the same time, DC’s Final Crisis series was going on and when my boyfriend (the artist of my strip, Vlog Girl) showed me the image of Superman holding Batman’s withered body, I knew I was hooked. I read through those seven issues furiously, but when I was finished, aside from being heartbroken by the wonderfully tragic story, I had no idea what was going on. I started backfilling every title related to the book, and on my weekly pilgrimages to the comic book store or on Amazon.com, anything that piqued my interest was added to my shopping cart. When Blackest Night came out, I became a Green Lantern (and a Geoff Johns) fan and had to read all that I could. I found that owning a copy of the DC Encyclopedia was helpful, as is Wikipedia, but it wasn’t enough to feel like I had a strong hold of the title.

One day at the office, I was reading somewhere online that a Wonder Woman movie had been announced and Megan Fox was signed on to play her. I don’t like her as an actress [Neither do we, girl. — E.P.], and while she (sort of) looks the part, she would not do justice to a character meant to inspire women to know their self worth; to know that they can achieve anything. Choosing an actress like that simply tells viewers that producers believe this symbol of feminist strength means only that she needs to be able to keep a pair of perky breasts up in a tight outfit, and that simply isn’t fair. So I started a Twitter account. Anthony couldn’t listen to me complain about it anymore, and I thought reaching out to cyberspace might help me to release some of my frustration.

It did, and it wasn’t long before I saw the value of this new medium. I began following every resource I could think of – newspapers, cooking sites, and of course, anyone and everyone related to comics.

Without really knowing who he was, I began following Alex Segura, DC’s publicity manager, who one afternoon tweeted that he needed an intern and anyone interested should e-mail him – so I did. As per previous luck, he responded almost immediately and I went in several days later for an interview. I spent the weekend prior imagining what it would be like to actually walk the halls of DC Comics, where so many of my dreams were brought to life. I was under the impression that the internship would begin in a year and wondered if I could save enough money before then to quit my very professional finance job and work at a Starbucks. I planned to give up my posh, luxury apartment and I even searched craigslist for cheap shares with two or three roommates. I told my cousin about the opportunity, and she laughed at me saying it would be impossible and not to leave my career for a whim. I told her that even if all I get to do is see their office, I’d be happy.

When I went in that Tuesday, I was right. Seeing their offices was just cool enough, but when I met with both managers for DC and Vertigo and the Vice President of Publicity overall, I knew how badly I wanted to work for them. Trouble was, the internship actually was for immediate hire. I had no idea what to do. I walked back to my office giddy but somber. I had no idea how I would be able to finish a thesis, maintain a career, and do this fabulous internship. This would take some finesse and charm.

I called my boss that afternoon and told him about the offer. It was for their publicity department, and while I work in marketing, it would be only a very basic version of what I do. Somehow he agreed and said he thought this could be a great chance for me to learn a bit more, and that as a young adult, I should take as many of these opportunities as I could. Flabbergasted is such a big word, but I think it’s the only one that conveys how I felt. I thanked him profusely and told DC I could begin.

Once I started, it was typical peon intern work, but walking in each morning to panels of the creation of a Superman page (he’s saving Lois’ car from falling off a bridge) was the only thing I needed to brighten my day. Unfortunately, it wouldn’t last that long. I’d overextended myself, and in the end, I had to be loyal to the people who were paying me, and I had to leave somewhat abruptly. But getting their weekly bundle of free comics and trades each week lead me to buy even more books, and now I’m totally hooked.

That’s a long-winded answer for a simple question. I wouldn’t be a history major if I didn’t give you some of my own.

G3: What’s the first comic series you read that really blew you away?

Dom: Final Crisis for sure, and almost all the Superman trades. All-Star Superman and Superman: Red Son made me cry my eyes out.

G3: How did you conceive the idea of Comics Period as “The Reading Rainbow of Comic Books?” It’s an original, almost academic approach to comics analysis.

Dom behind the scenes

Dom: I looked around the ’net in hopes of someone to guide my re-entry into comic book reading and found none, so I thought best to create it myself. I assumed there would be other people like me, who scream at the discontinuity of a comic book movie (even though they hadn’t read the books in a while), and figured that if I could get even a few more people to read comics, it would justify my work on the site.

Being a graduate student, I was very used to writing academically, especially history, and even though it might not be colloquial enough to reach everyone, I’d hoped it would get the message across to the people who needed it.

G3: Another thing that makes your videos stand out is your cool, serious delivery. Is that by design, or are you just being yourself?

Dom: Haha! You say cool; I say I’m squinting because those lights are really bright, and my hands are on my hips because I just don’t know what to do with them.

The Batman history was quite literally my very first time in front of a camera. I don’t like it one bit, and I’m not comfortable with it. I read my scripts from a teleprompter, which does nothing for seeming comfortable or body language, but thank you very kindly for the compliment. If I knew anyone else who could be the front person on my behalf, I would have hired them by now. But the truth is that this is my baby, and I’m not comfortable relinquishing control just yet. I am trying to talk my brother into doing one or two for me while I’m away since he’s so handsome — and I figured it would be nice to give fangirls something to look at, too.

G3: Tell us about the Vlog Girl strip. The “Something to Stare at” entry is something that almost every hardcore fangirl can relate to — the feeling of walking into an LCS and being gawked at. Was that based on your own experience?

Dom: YES!! There were so many times that I’d walk into Midtown Comics East, walk directly over to the rack, and get glared at. I’m not particularly gorgeous and don’t solicit those types of looks on the street, so it always made me laugh. One time, I walked in and picked up my Blackest Night titles rather quickly. There was a man standing next to me picking up the same things. He looked at his books, looked at me, looked at my comics, and repeated that same bewildered series THREE times. I smiled at him and handed him the last BN book he needed, and walked away. He still had that same look on his face when I left. I can’t believe women are THAT much of an anomaly in this world.

I came across a great quote in Douglas Wolk’s book, Reading Comics: How Graphic Novels Work and What They Mean:

“Unsurprisingly, the maleness of comics culture has been self-perpetuating: if reading or collecting comics is understood as, ‘something guys do,’ then the woman in the comics story is an anomaly…either she’s performing woman-hood wrong or she’s performing comics reading wrong. When you factor in the self-definition as the ‘kind of person who reads comics’ that the culture requires of its participants, it’s pretty clear how the pattern got entrenched.”

He doesn’t offer any solution to fixing it and is basically stating the obvious, but what can we do? I think if women remain in this masculine domain and are vocal about their interests and opinions, we’ll become more normalized in this world in no time.

When I started the site, fans on my Facebook page kept asking if that was really me in the photo. I don’t know why, and it kind of irked me. Comics aren’t in the social norms of people in my generation, and they seem to be kept that way by remaining in specialized shops. But when someone you wouldn’t associate with the stereotype tries to bring them to light, we shouldn’t be shocked by their unusual behavior; we should try to understand that stereotypes are just that.

G3: Who did that incredible avatar of you?

Dom: A wonderful young man by the name of Vinnie Tartamella drew and colored it. He is my Facebook friend, and he contacted me once say just saying hi. I looked through his work and commissioned the piece. I was having a really hard time with artists (and their ability to get anything done), but he was lovely and reliable. I’d really like to start making T-shirts, and I was thinking it would be funny to capitalize on the name and sell Comics Period Panties to all the comic book ladies out there. They might be a nice change from the granny panties we all keep around for that time of the month.

G3: What comics are you digging right now? Who are your favorite characters in general?

Dom: I am a Superman girl through and through. Anthony and I have a long-standing argument about Batman vs. Superman. I equate it to being a dog or a cat person. Superman speaks to the idealist in me. He reminds me, much like Wonder Woman, that human beings can create and build an idea that can inspire millions of people and generations of fans. He’s always made me feel like no matter what, there is hope in the world, because beneath it all, we are good.

My favorite title out now though is Gail Simone’s Birds of Prey. I love her writing style, sense of history (and inclusion of it), and the art is always fantastic.

All the GL books are great, as is Gotham City Sirens, Power Girl, Batman, and of course, Wonder Woman.

G3: How long does it take you to put together one of your videos, and who else is on your film team?

Dom: I try to film the videos in bulk, and then my director, Matt Weckel, takes his time in the editing process. Basically, I choose my comic and then start research, which depending how much I already know, can take a long time. Once I feel I have a nice chunk of information, I write the script, and Anthony takes photographs of all the images I want in the videos. We go to Matt’s studio, where he has a team for sound, lights and video and shoot. We do several takes, which takes about an hour per video. I’d love to be able to do more, but it gets pretty expensive. So for now, once a month is all I can manage.

G3: Your post about the world of comics conventions was a lot of fun to read. What’s your ultimate cosplay wish?

Dom: Thanks. Right now my ultimate wish is just to finally make it to a con. I had tickets to SDCC but had to travel for work, and I have a weekend pass for NYCC, but I’m working in Monaco, so I don’t know if I can get there.

If I was in better shape, I would LOVE to be Power Girl. She’s so spunky and fun, and I think she’s a good role model for female readers. I have the urge to bring a photo of her to my hairdresser, but I can’t pull off the short cut. Otherwise, I was thinking Dove would be fun, and her costume doesn’t look that hard to make. But I don’t really want to try until I can do the costume justice.

G3: Any advice for newbies, particularly women, who want to get into comics?

Dom: Don’t be discouraged, and reach out to people for help. Chances are, they’ll be happy to do it. I know I would be, and I am grateful to everyone who has helped me along the way.

Keeping it Ill with Artist John ‘Roc’ Upchurch

If you follow this blog, chances are that you read a ton of comics and can name your favorite writers and artists. E. and I talk about ours all the time, and many of our preferred illustrators are well known and probably working for the big two. But there are so many undiscovered artists out there who are just as good, if not better than your mainstream people. One in particular goes by the name Roc, and he is the shit.

John “Roc’ Upchurch hails from “a little gutter” in Philadelphia called Hunting Park. Named after his father, who inspired him to become an artist, Roc began his career as a video game concept artist in Georgia. He graduated to freelance work in almost every industry, and he’s now an illustrator of whatever you can imagine. His tools of the trade are pencil, paper and Photoshop. He can do concept art, comics, storyboards and pretty much any commission assignment you throw his way. When our friends saw the fabulous Vanessa G. and E. Peterman avatars Roc created for Girls Gone Geek, they pretty much lost their minds. We certainly did. Continue reading