Saturday I attended a panel at Special Edition: NYC, and from what I gathered it was one of the only panels that day that was even nearing maximum capacity. The Carol Corps, various members of the Young Avengers team, and plenty more in addition to myself waited patiently in the ever-growing line for this event. It was pretty much the only reason I went to the convention that day. It seems that many others had the same idea. Continue reading
Picking up where Erika left off, below are some ideal geeky gifts (according to me) for this Festivus season.
Absolute Planetary Book One
You could get the issues of Planetary digitally. You could get the trades. But THIS is the Absolute Edition. Book Two is easy enough to get. Book One … not so much. Any comic lover would be all over this, and doubly impressed because they know it’s out of print.
Full color commission of Nimue by Amy Reeder
I imagine we won’t see Madame Xanadu written and drawn as her youthful Nimue self any time soon (or maybe ever again). Being that this incarnation of the character only existed in the first arc of Matt Wagner and Amy Reeder’s Madame Xanadu, there are not many images of her in that costume. Oh, to have a full-color commission of Nimue from the artist herself, Amy Reeder. Pure joy.
Troy and Abed “Warhol”
I first noticed the picture in the Community episode “Remedial Chaos Theory” hanging in Troy and Abed’s apartment. And as soon as I saw it, I loved it. I immediately sent a tweet to NBC saying that it needed to exist. Now, NBC has made a poster. And a T-shirt. Because all Community nerds love it (and probably tweeted it, too).
Donate to a comic book Kickstarter!
‘Tis the season to be … generous! What better way than to support a creator-owned comic? Here are a few good ones …
Here’s the lowdown on the three best comics I read last week:
Punk Rock Jesus #4
I half expected Jesus to drop the mic and walk off the stage after that scalding final panel in Sean Murphy’s Punk Rock Jesus #4, which took the pull list prize last week. Batman #13 may have been the big draw, but PRJ is the one that really leaves a mark. Now a teen, Chris — the so-called clone of Jesus Christ — can only stand by and watch as the horrible J2 reality show franchise delivers his poor mother a final, crushing blow. Afterward, you can see in him the same dead-eyed grief that haunted his security guard, Thomas, an ex-IRA terrorist who witnessed horrible violence as a boy. Chris takes refuge in punk rock albums and extreme cardio, and he then fully rejects the dogma that has defined his existence. It’s goodbye, Bible; hello, Sex Pistols and Richard Dawkins. Let’s just say that Chris goes way off script and makes his feelings about religion and his followers scathingly clear in the most memorable scene of the week. Jesus has left the building. Grade: A+
The Joker has one of the scariest faces in comics, but he’s even more terrifying when you can’t really see him. In the first chapter of “Death of the Family,” we catch only glimpses of Batman’s nemesis as he makes a methodical, chilling comeback. A shoe here. A blood-splattered glove there. A cackle in the dark as victim after victim suffers off-camera. I doubt poor Jim Gordon will ever have a sound night’s sleep again after hearing the Joker’s startling commentary about where the commissioner stashes his cigarettes. This is a horror show in the making, and Snyder-Capullo deliver a perfectly paced, chilling first act. The “Tease” backup story, in which Mr. J. tests the depths of Harley Quinn’s loyalty, made my skin crawl right up until the last second. Grade: A
Halloween Eve (one-shot)
Image one-shot Halloween Eve is like candy. Its pleasures are brief, colorful and ultimately quite sweet. Brandon Montclare’s story focuses on the cranky Eve, a costume shop employee who loathes Halloween. When Eve falls asleep in the shop the night before Halloween, she plunges into a topsy-turvy fantasy world where every day is the one she hates most. Montclare’s story is charming, but it’s Amy Reeder’s art that dazzles. Reeder illustrated and colored the comic, and each panel is luminous and lovingly detailed. Her rendering of each character, especially the expressive Eve, is perfect. Plus, the magical aspects of the story give her a lot of room to play. Halloween Eve is a treat, one that’s appropriate and appealing for tween readers and up. Grade: B+
I am an enormous fan of Amy Reeder’s work. Madame Xanadu, while being a brilliant story by Matt Wagner, is made unforgettable by Amy Reeder’s work. I revisit that book often. I am so thrilled to hear that she is working on another project. If you enjoy her art and would like to see more; head over to Kickstarter and support her new creator-owned comic – Halloween Eve.
The shot heard around the comic book world this week is Amy Reeder’s abrupt departure from Batwoman. All sources citing creative differences. My first thought was, “Corporate shenanigans strike again!” They seem to strike a lot at the DC offices. But I have another theory. Continue reading
As with so many other things that are artistically awesome, they come to an end long before they should. Over at Bleeding Cool, rumor has it that Madame Xanadu will soon meet her demise at Vertigo. Whether because of corporate rearranging of characters, low sales, or the creators having other projects they deem priority, this falls under the category of tragic.
I only recently discovered Madame Xanadu. The first trade, “Disenchanted,” was exceptional. When I finished reading it, I immediately re-read it. Amy Reeder’s art is out of this world. She draws Madame Xanadu so beautifully, with ethereal hints of Manga that make her work bright and unique. Matt Wagner’s story is nothing short of brilliant. Continue reading
While V. and I celebrated the news that J.H. Williams III will write and illustrate a regular Batwoman comic, it occurred to me that reading comics is a bit like dating. The sheer variety is exciting, but once you really connect with a title (or five), it’s like magic. You’re positively giddy on the Wednesdays that it ships, and you can’t wait to curl up and spend time with it.
Then, inevitably, things get all weird. Maybe the creative team changes and there’s a steep decline in quality, or a larger event gums up the works. Pissed off and confused, you start talking about breaking up and seeing other titles — maybe even other publishers. Call me a sucker, but the Williams announcement is the equivalent of a beautiful flower arrangement or a Tiffany charm bracelet sent just in the nick of time. Maybe it doesn’t completely atone for Rucka’s departure and the Power Girl craziness and the iffy Wonder Woman announcement, but it’s still pretty wonderful.
Together, Rucka and Williams created a stunning series of Batwoman stories in Detective Comics, and Williams’ illustrations were so beautifully and thoughtfully executed that they set a new standard for the comics medium. With Rucka out of the picture, it’s a huge relief to know that Williams will stay on as Kate Kane’s caretaker, so to speak. He struck all the right notes in an interview with Comic Book Resources, showing appreciation for Rucka’s vision while making the case for his own. Plus, his enthusiasm for Batwoman and her supporting cast members, including cousin Bette Kane (Flamebird), is palpable. As Williams himself put it, “I just kind of felt like, ‘OK, if anyone can do the character any justice, it would be me.’ ” It’s a bonus that current Madame Xanadu artist Amy Reeder will provide her considerable talents on the second arc.
DC, consider your telephone number unblocked. For now.