Saturday I attended a panel at Special Edition: NYC, and from what I gathered it was one of the only panels that day that was even nearing maximum capacity. The Carol Corps, various members of the Young Avengers team, and plenty more in addition to myself waited patiently in the ever-growing line for this event. It was pretty much the only reason I went to the convention that day. It seems that many others had the same idea. Continue reading
Imagine for a moment being on Wonder Woman’s bad side. And then she shows up unexpectedly to have a little talk with you.
Cue awe and soiled garments.
That’s a scenario writer Gail Simone and artist Nicola Scott set up beautifully when Diana confronted our favorite anti-heroes in Secret Six #12. Wonder Woman’s memorable guest appearance through issue #14 was the icing on top of one of Secret Six’s best arcs, “The Depths.” There are so many things about this story I love, starting with the stark contrast between the highly principled princess and the most delightfully morally ambiguous crew in comics. In this arc, Wonder Woman was an imposing, justice-demanding force of nature. In other words, awesome. (Spoilers ahead) Continue reading
Those of us who have been on Team Gail (as in Simone) for years were ready for her Red Sonja reboot with illustrator Walter Geovani as soon as it was announced. It will surprise very few people that this comic has met our high expectations in its first four issues. Let us count the ways in which this exciting, engaging book deserves your attention. Continue reading
Hey guys! I’m reviewing stuff again. This week is two quick reviews on Gail Simone’s slow-burn in The Movement #4 and the explosive final issue of The Legend of Luther Strode.
When The Strange Talents of Luther Strode hit the shelves last year, that book was pure energy and wildly addicting. I actually didn’t catch on to that trend until about issue five, read all of them … and squirmed until issue six came out. Justin Jordan and Tradd Moore’s Luther Strode is super intense, super violent and yet quite novel.
The Legend of Luther Strode is the second mini-series featuring Luther, Petra and a bevy of other misfits and I enjoyed it. But … I think this pony needs some new tricks because the novelty is wearing thin, even though the quality is still there. Word on the wind is we will be getting The Legacy of Luther Strode next year. I am still so going to read it, but I do hope these talented creators will bring a surprise or two.
That aside, Petra totally kicks ass in this issue. She massacres a couple of female fiction tropes which is one of my favorite things to read in the whole wide world. Not hyperbole.
Now, about The Movement. We here at the Church of Gail Simone give all available benefits of doubts and trust in her ability to weave a fine web of comic bookiness. I’ll admit, The Movement has been an acquired taste, but one that I think is well worth your time … and mine. When a writer references the Triangle Shirtwaist Factory fire, it implies a thoughtfulness and a care for the injustices suffered by marginalized people. It’s culture in our comics … the all-to-often-ignored culture is the kind of stuff I like to read and support in our sea of escapism. I’ve still got some reservations about the art. I’d like Nicola Scott or Amanda Conner drawing these characters. Rags Morales would be a good fit, too. A fangirl can dream, right?
You can read my reviews HERE.
Just in case you fine folks missed it, last week Lindsey reviewed Paul Pope’s one-shot, The Invincible Haggard West #101. She gave it very high marks. Being that Lindz is so cool and smart, this book probably is, too. You can check her review HERE.
Then, last Wednesday saw the release of Gail Simone’s much-anticipated Red Sonja from Dynamite Entertainment. Erika jumped at the chance to let the world know it’s just as good as we thought it would be. You can read that review HERE.
I was so excited to read Gail Simone’s latest addition to the DC line-up, The Movement. I heard her say that it’s probably the most diversity in a DC comic … like ever. And not just racial diversity; The Movement will tout diverse perspectives, lifestyles, politics and beliefs. Hera knows the heteronormative world of mainstream comics needs some variation in perspective. I certainly have a strong desire for it in comics (and elsewhere).
The Movement #1 was not as strong of a first issue as I had hoped, but then I wonder if my expectations were unrealistically high. Were they high because I think Gail is a wonderful storyteller or because I want this book to beget more books like it thus prematurely placing it on a pedestal? Or maybe … it just wasn’t a great first issue. Either way, you can read my full review here.
Have you read it? What do you think? Do you agree or disagree with my review?
No one can say that Gail Simone isn’t available to her fans. She has long maintained an open dialogue with readers on her Tumblr and Twitter, and she’ll take on the tough and controversial subjects that are bound to come up in the highly opinionated world of comics. In Part II of our interview, Gail shares her thoughts on the writer-reader relationship, talks about reuniting with artist Jim Calafiore for Leaving Megalopolis, and answers a burning question we saved for the end. Continue reading
V. and I had a lot of questions for writer extraordinaire Gail Simone post-Megacon, and she answered them with her trademark blend of thoughtfulness, wit and candor.
There was plenty of ground to cover. Continue reading
The powers-that-be at MegaCon 2013 exercised vast wisdom and general awesomeness by having a panel dedicated to Gail Simone. For an hour, fans got to ask questions and listen to this excellent writer talk about her craft. V. was there taking notes for those of you who couldn’t be. Here are some of the takeaways. Continue reading
If you’re ever suffering from a case of fan malaise, find the nearest comics/sci-fi/fantasy/anime convention and go. You won’t regret it.
As Megacon reminded me, there’s nothing quite like a con to reconnect a person with the joys of fandom. Spending a few days surrounded by happy people in costumes and talking to the creators who make Wednesdays special are two things that deserve spots on your bucket list.
Some highlights and observations: Continue reading
One of the beautiful things about the comics industry is that many of the writers and artists are easily accessible to the fans. They take part in the discussion and share their work and insight on the varying social media platforms. They also spend time at conventions to promote their work, appear in panels, sign books and chat with fans. It’s really quite fun, especially for blogger-types like us. Continue reading
Because diversity of female characters has been lacking in comics, film and just fiction in general, coupled with an upsurgence of feminism; there seems to be this perception that IF you choose to portray a female character, then she HAS to be a positive role model. I think that is absurd, unrealistic, and stifling of creativity.
Today, Gail Simone posted a respone to an anonymous question on her Tumblr addressing this very thing, and her response is highly rebloggable:
No one is ever asking for all females to be perfect avatars of all good things. Most sensible people are looking for a SPECTRUM of qualities for female (and other gender specifications) characters.
We want bad girls and good women and selfish ladies and caring mothers and terrible daughters and nasty wives and sacrificing girlfriends, we want villains and heroes and supporting cast members.
There’s no ‘wrong’ female character or scenario, it’s all purely in the execution.
Yes. It’s in the execution.
Write any kind of character that you like, that fits the story, that is creative and honest. Write every kind of female. Write lots of female characters. Then maybe we will get to a point where there is something for everyone, and she won’t have to be everything to everyone.
Hello, dear readers. Just as a heads up this is going to be the last NRRD PROBZ of 2012. It will return on January 8th, so have a wonderful holiday and send in those questions!
“Gail Simone got sacked! If I wanted to start reading some Gail Simone books, where do I start?”
I KNOW WHAT’S UP WIDDAT? We here at G3 are currently mourning the loss, and may continue to do so for some time.
In the interim, you could start out your Simone quest with one of her runs on Secret Six. They are great fun and really accessible to newer readers. Her first collected work on it is entitled “Six Degrees of Devastation” and includes all six issues of the mini series. I would read this first, not only because it is chronological, but because when using this as a starting point you really get to see her grow into the series later on. Continue reading
No matter how you felt about Oracle and Stephanie Brown’s absence from DC’s 52, Barbara Gordon’s return as Batgirl was an undeniable success. A success for diversity.
Because Barbara being shot by the Joker in The Killing Joke remained in continuity, Barbara Gordon was healing from a traumatic injury. In returning her to the streets of Gotham, Gail gave us a clear picture of PTSD. We saw a female recover from one of the most violent assaults in DC history, and regain her power while showing vulnerability as a strength … a mechanism for the signature compassion of Barbara Gordon.
Gail Simone wrote her that way, and I doubt few (if any) other writers would have done the character such justice while showing grace under the pressure of launching a single-character title. Continue reading
So impressed over the years by the cosplayers who attend Dragon*Con, cosplaying became an item on my bucket list. Finally, after a false start or two, I cosplayed my beloved Black Canary at Dragon*Con 2012. Not the one from the Golden Age, not Dixon’s Dinah, but the reason I am a comic-obsessed fanigirl at all – I was Gail Simone’s Black Canary. Continue reading
This memorable moment is a twofer, and probably the one nearest to my heart.
We all (should) know that Death of the New Gods was a terrible story that did nothing but muck up continuity and convolute the lead-in to Final Crisis (while also having terrible grammar throughout the series). The last thing Final Crisis needed to be was more confusing. Those annoyances aside, the most tragic part of DotNG were the deaths of some particularly awesome New Gods, specifically … Knockout. Continue reading
I have intentionally been quiet about the new DC books these past couple of weeks. Mostly because every site and its mom is reviewing them, E. has covered a few, too. What more could I possibly say that hasn’t been said? Well, I’ve always got something to say. I’m not picking up all of the titles, but of the #1 DC books I have gotten, I have loved, liked, and loathed. Continue reading
Combine every relentless hardass you’ve ever known, add a dose of supreme confidence and combat training, provide scary federal credentials, and put it all in one intimidating package topped off with a severe ponytail. The result? Katrina Armstrong, aka Spy Smasher. Continue reading
Our darling Gail has a knack for creating new characters. Misfit, Black Alice, Ragdoll, Scandal! All of them awesome in their own right. But no one quite takes the cake like Jeannette. Continue reading