Gail Simone’s Letter to “Everyone in Comics, Dammit”

E. and I are generally not “rebloggers,” but for this I make an exception.

Here at Girls Gone Geek, we are not shy about our reverence for writer Gail Simone. Her stories are wildly entertaining, witty, smart, and depraved in the best kind of way. I’ve never met her, although I hope to one of these days. Off the books, she comes across as a gracious and passionate person who cares about her fans and the dignity of people in general.

She’s known to take to Twitter, her tumblr, or the message boards voicing her opinions about various things. She is particularly froggy when injustice or dumbassery is at hand. I tend to agree with her on just about everything. Gail’s poignant letter about why people should care about women who read comics is one more instance of that.

I wanted to share what she wrote.

Please go look and see…

http://womenreadcomicsinpublic.tumblr.com/

That is part of your audience, comics industry. Please note that they are all colors and orientations and from many different faiths and countries.

And please note they are women. And they are reading comics.

Take a look at what comics they are NOT reading on this photo list, it may be the most important detail you take from the entire affair.

Women are embracing comics fandom with a vengeance, as they have already done with sf/fantasy and as they have done with many other media. Women were key to keeping Star Trek’s memory alive in the days when such a thing was unheard of. Women have made the careers of too many beloved film creators to mention.

They can do that for comics, too.

It would be better for everyone if you made that easy. But if you don’t, they’ll do it without you. They don’t NEED to support you. They can always find someone putting out stories that don’t alienate, infuriate, and insult them.

Take a good look because these women are a huge part of our shared future. If doing the right thing because it’s right isn’t enough motivation, then do it for purely selfish reasons, because the female audience is out there, and those publishers smart enough to realize that will benefit while others do not. People like Joss Whedon, Greg Rucka, Brian Bendis, Warren Ellis, Neil Gaiman, Stephanie Meyer, J.K. Rowling, Stephen King, Jodi Picoult, Brian Lee O’Malley, Terry Moore, Brian Vaughan, Allan Heinberg, and many more already know the buying and buzz-creating power of the female readership. It is no longer hypothetical. It requires no more proof than the repeated successes of these people.

Most of the women involved in Read Comics In Public Day were doing it for fun, just as a shared bit of love for the medium, and that’s wonderful. But sometimes fun is the best activism. Many of these women don’t just buy comics, they cosplay, they write fanfic and draw fanart, they write columns about their favorite books, they convert their friends and sisters and boyfriends and girlfriends to their favorite titles in droves. Time and again, when looking at the surprise hits of the industry, the game-changing titles that came out of nowhere (Sandman, Teen Titans, Swamp Thing, Scott Pilgrim, Strangers in Paradise, Batwoman, on and on), women were at the center of those tornadoes. No simpler lesson is out there than the decades-long support system for the X-titles that has always included huge numbers of female readers.

Don’t be afraid, industry people. You already know how to tell great stories. All you have to do is take a moment to realize, as many of the most successful people in comics and film and prose already have, that the audience is a lot more diverse than you have been told over and over. And they WANT to like your stories.

It doesn’t have to be threatening. It might even be a great deal of fun.

I do believe we’re on the cusp of some wonderful things. Let’s be the highway, and not the roadblock.

And thanks to all the awesome women who participated in this fun event. See you next year with an even louder response!

And again, thanks to the mighty, mighty http://dcwomenkickingass.tumblr.com/ for spearheading this idea. I don’t know who came up with it, but she definitely seemed to be the chef who baked this delightful cake, so please follow her and drop her a note of thanks!

Birds of Prey #2: White Witch, Crazy Bitch

The million dollar question: Who is White Canary!? Well, we still don’t know. It’s okay though, this issue was excellent.

Jumping right back into the action from issue #1, Black Canary and Huntress face off with White Canary who is serving the Birds some serious whoop ass. Black Canary manages to get a few licks in. Maybe a few licks too many as she responds emotionally to what seems to be some major hater vibes coming off of this new enemy.

Hell hath no fury like a Canary scorned.

Back up comes not a second too soon in the form of Hawk, Dove and Zinda. White Canary immediately launches Hawk into a brick wall, and makes him bleed. Apparently that’s kind of a big deal. Meanwhile, Oracle is watching as Black Canary is being framed as a murderer on live TV, and not a minute later, major law enforcement shows up to the scene in the alley to arrest Dinah. Being arrested was so not on the agenda.

THIS is Gail's Black Canary

Things go from bad to worse. Upon realizing that they’ve been thoroughly set up, Dinah points the finger at White Canary. Her response: “One of you will die every hour for the next six hours. You choose. Or I will.” Cut to Oracle getting a com from an inconsolable Creote. They were attacked by a woman because of their affiliation with the Birds, and now Savant is dead. Creote is devastated, and kills himself while Oracle is listening.

It's never good when Russian bodyguards start snotting themselves.

Back in the alley, the whole crew happens upon a TV set up for their viewing pleasure. The Action 8 news is on with “breaking coverage” of Black Canary’s messy breakup with Ollie, a wildly distorted version of her almost adoption of Sin, and her identity. Dinah is brought to her knees while White Canary watches from a rooftop above.

Even after all THAT, the high impact moment of the issue is at the end. Oracle realizes that she’s become complacent over the past five years, letting the machines do her work. Whoever this enemy is, s/he is using the grid against the Birds. Oracle dries her tears and reminds herself that SHE IS THE GRID, it exists because she allows it to, and she enacts what can only be the ultimate cyber command “Data Womb Code, Omniscient.” I’m pretty sure that means “IT’S ON!”

The art was fantastic, Ed Benes and Adriana Melo are beyond belief talented. Both artists have a lushness to their pencils – expressive eyes and pillowy lips. Still, their respective styles have some distinct differences. It is quite obvious where Ed’s pencils end and Adriana’s start. REEEMIIIX! Melo makes up for the abrupt shift in art with her up-close face panels and the beautiful splash page of Oracle.

Major props to Gail for immediately addressing some continuity issues that were created after she left the book, like the huge, gaping hot-mess that was the Sin story arc. And I’ve always loved Creote and Savant, but the characters fell to the wayside without Gail’s pen. It’s sad that they met their end, but it’s a memorable scene that tied that loose end right on up. It reminds me that Gail loves these characters as much, if not more, than the fans do. I am certain she will keep on serving up excellence in the form of Birds of Prey for as long as they let her. At least we hope so.

Birds of Prey #2
Writer: Gail Simone
Pencillers: Ed Benes & Adriana Melo
Inkers: Ed Benes & Mariah Benes
Colors: Nei Ruffino
DC
Released: June 16, 2010

G3 Review: Secret Six #22

Cover art by Dan LuVisi

Secret Six #22

Writer: Gail Simone
Artist: J. Calafiore
DC
Released: June 9, 2010

The comics that I deem “good” are the ones that really tug my emotions or shock the shit out of me. The final installment of the Secret Six “Cats in the Cradle” story arc was a full on jaw-dropper, kids. If you haven’t been reading, you need to grab the trade. I went back to issue #19 and read straight through. This story is intense, fast-paced and clever, and it will make you say, “Oh. My. God.” J. Calafiore’s art style works well for the characters, and his backgrounds add great dimension to the story. Jason Wright’s dark colors are a constant reminder that this ain’t the damn Justice League. Not that you’ll need to be reminded.

The issue takes us right back to Alice being possessed by the demon Estrogan on some ultra PMS rampage, picking a fight with Scandal … over Ragdoll. It’s kinda ridiculous. OK, it’s really ridiculous. Black Alice’s inception in Birds of Prey was so interesting and ripe with potential, but it just has not come to fruition. Or maybe, five years later, I just have a much lower tolerance for bratty teenagers. That’s certainly why Wonder Girl grinds my nerves. Whatever the case, her catfight with Scandal is mildly amusing, only because of Deadshot’s ambivalent spectator commentary.

While Gail is the queen of witty banter, and there is plenty in this scene; I just wanted more from Alice. She eventually gains control of her magic and immediately begins snotting herself. I rolled my eyes at Alice’s “emotional” revelation that she probably gave her father cancer by magic, but was pleased with her moment of maturity when she enlightened the “adults” on Catman’s state of mind.

Speaking of Catman’s state of mind, “Holy what the fucking shit!?!” as someone so eloquently put it on Twitter. I’m usually all for the major spoilage, but not this time, homies. You gotta see that mess for yo’ self. Cheshire’s homicidal, maniacal tendencies have caused one hell of a butterfly effect. Gail took it there.

Now, the question is: Where on Earth will she go next? I hope Alice has gone to master her “skills” or grow up or something, but she seems to be exiting scene. Cheshire is 38-hot to say the least, so will Jade finally get some screen time at Gail’s hand? Catman has blazed past the point of no return. The Usual Suspects – Scandal, Doll, and Deadshot are left to pick up the up the body parts. How is THAT confrontation gonna go? Let’s not forget; last time we saw Bane & Jeanette, they were merc’n with the likes of Dwarfstar, Giganta, Lady Vic, and King Shark. It’s a big bowl of “Holy what the fucking shit!?!” soup.

Whatever tumult is in store for the Six, it is apparently time to get off the teat, son.

Birds of Prey #1: Fishnets, Fisticuffs and Fabulousness

Variant cover art by Cliff Chiang

The best friendships are the ones where, even after long stretches of little communication, everyone picks up right where they left off. There are no awkward pauses or, worse, internal monologues about how it’s just not the same.

For fans of Gail Simone’s Birds of Prey run, reading issue #1 of the revived series is like that great reunion with an old friend. Simone stepped away from the book three years ago, and it was canceled in 2009. However, she and original collaborator Ed Benes have wasted no time in returning the Birds to classic, crime-busting form — and we missed them terribly. (Spoilers await.)

The four-part “Endgame” story opens in Iceland, where Black Canary has arrived to rescue a diplomat’s 5-year-old daughter from a terrorist/kidnapper. The beauty of this sequence is that it firmly re-establishes Dinah Lance as one of the world’s most skilled combatants, obliterating the sad-sack wife nonsense other writers saddled her with. Let’s just say there’s a lot of blood on the snow in Reykjavik, and it’s not Dinah’s. Or the 5-year-old’s.

"Where my girls at?"

Shortly, Oracle begins reassembling the team to deal with an anonymous mofo who has a frightening amount of information about the Birds and all their friends/associates. Zinda is dispatched to recruit Hawk and Dove, one of whom has some serious anger management issues. (I wouldn’t have held it against Hawk if he’d tossed that silly, bank-robbing cheerleader off the roof, but that’s just me.) The addition of these newbies to a well-established group is potentially rich with drama, and I’m looking forward to seeing how everyone adjusts, or doesn’t.

This is the REAL DC Trinity

Simone’s affection for these characters comes through on every page, especially in the funny, familiar banter that flies between Canary, Zinda, Huntress and Oracle. The Birds also look fabulous, thanks to Benes’ gourmet cheesecake illustrations and colorist Nei Ruffino’s glowing, moody palette, which really suits poured-on leather under moonlight. Those panels of Huntress cracking skulls while talking to Oracle via cell phone could launch 1,000 gym memberships alone.

As if that weren’t enough, the Big Villain Reveal on the final page is a total surprise, and still a bit of a mystery. I figured it would be Lady Shiva, or even a tween Sin, but the ending suggests that our heroines are in for even bigger trouble. It is totally on — and I couldn’t be happier.

Gail Was Robbed!

Cover art by Dan LuVisi

Secret Six #20 played out like a well-acted revenge thriller. Catman reminded me of Liam Neeson in Taken. Those baddies effed with the wrong guy! Still, I wish Cheshire had come along to help with the revenge portion of the show. Maybe Gail will bring her around later. Let’s hope.

On the whole, this issue was fast-paced and full of that shock factor these characters are known for, and it set the stage for a hell of a story arc. Thanks again, Gail, for reminding me why I buy monthly issues instead of waiting for the trade. Continue reading

Simone Departs from Wonder Woman

DC announced on Friday that Gail Simone will be leaving Wonder Woman. As much as we’d like her to stay on the book, she is not Wonder Woman. With the return of the Birds, I suppose she can’t do it all. I was disappointed, but not surprised. Gail’s replacement, announced this morning, will be J. Michael Straczynski. This guy has got some serious writing cred behind him, but in his interview he seemed more stoked about writing Supes than Wondy. Through hell or high water, Wonder Woman will stay on my pull list, but I’m a little worried.

The Question: Will Lady Shiva Be Redeemed?

I’ve made no secret of my admiration for Gail Simone. Her writing is smart, interesting and fun, and she can write the hell out of a kick-ass chick. Many of my favorite characters are so because of her capable hand in their development. At the top of that list is Lady Shiva. I’ll keep it real. I didn’t know much about Sandra Wu-San until she showed up in Birds of Prey. OK, I didn’t know much of anything before I read BoP, but there was a long list of supporting characters throughout Simone’s arc. Shiva was my favorite by far.

As we’ve seen in Secret Six, no one does amoral with Gail’s flair. Amoral characters are intriguing because they do the things our conscience and social mores prevent us from doing. We get to live our fantasies through them, and their writers aren’t limited by pesky issues like virtue. Plus, Shiva is a straight-up beast. She’s kicked more asses than you’ve read comics. She’s fast, ingenious, wicked, and not at all afraid to die. That final fact alone makes her a force to be reckoned with. I firmly believe that she could defeat Deathstroke (See previous poll). All Shiva needs is a two-second window, and he’s done for — genetic engineering be damned. Shiva would engineer a beatdown. Continue reading

The Birds are Back in Town

Nobody draws Black Canary better than Benes!

I’ve enjoyed comic books and the characters since I was young, but for a long time, it was more from a distance. I’d admire them in a bookstore, peruse a boyfriend’s long box or, on occasion, borrow a trade. But I didn’t collect and follow comics myself — that is, until I met the Birds: Babs, Dinah, Helena and Zinda, as written by Gail Simone and drawn by Ed Benes, hold an über-sacred place in my heart.

I had just started a new job a few years ago when the topic of comic books somehow came up with the IT guy who was setting up my computer. He asked if I was into them, and I was all, “Sure. Kinda.”  I told him I was really into Wonder Woman and chicks who kick ass. He said he had something for me, and the next day, there was a stack of Birds of Prey trade paperbacks on my desk.

I opened the first one that following Saturday morning, and I couldn’t put them down. I was so enthralled that I read until my eyes couldn’t focus, and I developed a monumental headache. I kept on reading.

It is because of those very books that I go to my LCS every Wednesday; spend countless hours reading comics; search the Internet for comic book news and art; display a Black Canary Ame Comi figurine on my office shelf; spend lunches with other comic book fiends, talking for hours on our favorite stories; and now have a blog to talk about it all. Birds of Prey was the catalyst.

Honestly, no other book or set of characters has done for me what BoP did. I’d liken it to the first hit from a crack pipe. Gail’s writing and Ed’s art made me itch. From then on, I was hooked, searching desperately for that same high that I got from the Birds. Some series have come close: Identity Crisis, Secret Six, Rucka’s run on Wonder Woman, Fables, and Detective Comics with my darling Kate. While they all gave me a great fangirl buzz, they didn’t satisfy me quite as much as Dinah kicking ass in her fishnets, Babs taking down a group of men from her wheelchair, Lady Shiva struggling with morality as Jade Canary, and Lady Blackhawk punctuating the action with her hilarious one-liners.

When Gail moved on to other projects, I was terribly disappointed. Especially when DC married off Dinah to Ollie, and essentially ruined what Gail had done with her character. (And can someone please tell me what happened to Sin? Anyone?) In new hands, the book floundered, then got canned. Many, many times I’ve wished for DC to bring the Birds back, with Gail driving. It seems my wish has been granted: The dream team of Simone/Benes is back! And I am so fucking happy I want to cry.

G3 Review: Secret Six #16

Secret Six #16
Writer: Gail Simone
Penciller: Peter Nguyen
Inkers: Doug Hazelwood & Mark McKenna
DC Comics
December 9, 2009

The Story

*Spoiler Alert*

We’ve all watched movies with serial killers where you wished nothing more than for Justice to assail them squarely in the nuts.  Well, our favorite amoral anti-heroes of Secret Six do much, much worse. Leave it to Gail to make demented so delicious.

The issue opens up with Catman and Deadshot abducting a serial-killing child molester from police custody, only to turn him over to the father of 9-year-old Katie Sanchez, one of his victims.  Mr. Sanchez wants revenge.  Before parting ways, Catman gives the bereft father a few tips.  “When you flense him, don’t think of him as human. It’s just tissue.”  Catman and Deadshot exit scene  to talk about … dinner!  Gail perfectly articulates the fine line these lovable psychopaths teeter on.  The diabolical duo don’t get very far before the one and only Black Alice makes her presence known.

Now, I am beyond thrilled that Alice is back in Gail’s hands.  I loved her at inception, and have been champing at the bit for more of the character ever since.

Having witnessed the tutorial on torture, Alice is unaffected and wants to join the Six.  In her bratty, teenager fresh-from-hell kind of way, she refuses to take no for an answer.  Throw in some strip club shenanigans, Black Alice’s magical mojo, some sentiment from the teddy bear that is Bane, the always welcome witticism of Ragdoll, and you got yourself a Dionysian good time.

The Art

I pretty much jizzed on myself when I got a look at LuVisi’s cover back in August.  I LOVE HIS ART.

But I have to admit; I really missed Nicola, who is about as good as a comic artist can get.  Having said that, I think Peter Nguyen did a excellent job.  The facial closeups were awesome. I absolutely loved what he did with Alice’s costumes as she moved between magics.  The Alice Banshee was some rock star shit, fa sho.  I also dig the ink, which is appropriately ominous. My only criticism is that the faces seemed elongated in certain panels. All in all, enjoyable.

I had a great deal of anticipation for this issue, and I was not disappointed.  I look forward to whatever fuckery the Six can get themselves into next and … and what happens if (OK, when) they make Alice angry.  Cowabunkle!