Falling in love with the many gorgeous statues that are made of our cherished comic book characters can be an expensive endeavor. I was personally obsessed with the second Ame-Comi Wonder Woman designed by artist Dustin Nguyen. You know, the one that is an homage to Greg Rucka’s Wondy that decapitated Medusa blind? Yeah. I eventually got my hands on one, but at great cost to a former paramour as in he paid a pretty penny for it.
Wonder Woman entered the Meredith and David Finch era last week with issue #36, and the good news is that it succeeds in bridging the previous run and the new without being off-putting for new readers. Those of us who were worried about Diana looking overly cheesecakey can breathe easy, as David Finch’s take on the character is respectful. Meredith Finch’s story is perfectly fine overall, and I’m glad to see Wonder Woman back at the center of her title. There is no real “wow” factor to the proceedings, though. That’s not a deal-breaker this early in the game, but I do hope there is more than standard fare on the horizon. Check out my full Newsarama review HERE.
I love it when a new character comes along and lights my fire. Punk Mambo would be just such a character. Born in the pages of Shadowman, she is Peter Milligan’s baby. She’s definitely got spit and fire. She’s also got a cavalcade of dark magic that could totally melt your face. The best part about her is that she marches to the beat of her own strange drum. I reviewed the one-shot out tomorrow by Valiant, and this would qualify as a great girl story. You can read my full review HERE.
And in case you missed it, I reviewed the final issue of Azzarello and Chiang’s Wonder Woman a couple of weeks ago. You will not be at all surprised to know that I got a little saucy with it. While you’re there, check Lindsey’s review of Elektra, too.
The First Image Of Gal Gadot As Wonder Woman In Batman v Superman: Dawn Of Justice. –Straitened Circumstances, Tim Hanley on Wonder Woman and Women in Comics
Imagine for a moment being on Wonder Woman’s bad side. And then she shows up unexpectedly to have a little talk with you.
Cue awe and soiled garments.
That’s a scenario writer Gail Simone and artist Nicola Scott set up beautifully when Diana confronted our favorite anti-heroes in Secret Six #12. Wonder Woman’s memorable guest appearance through issue #14 was the icing on top of one of Secret Six’s best arcs, “The Depths.” There are so many things about this story I love, starting with the stark contrast between the highly principled princess and the most delightfully morally ambiguous crew in comics. In this arc, Wonder Woman was an imposing, justice-demanding force of nature. In other words, awesome. (Spoilers ahead) Continue reading
Enduring DC’s lackadaisical treatment of the first lady of comics has been something of a challenge for me critically, and if I am being completely honest, emotionally as well. When I get all fired up, I say things like, DC Ruined Wonder Woman Twice in One Day. Sure, it’s alarmist… only in the sense that I was genuinely alarmed. I pissed a few folks off with that write-up.
It is true that I rather enjoy raising the fanboy cackle, but I did read some of the criticisms of my rant. One thing stood out as fair – I had not read Superman/Wonder Woman. While I was only commenting on the strangeness and absurdity of a variant cover, I figure if I am going to continue to malign DC’s current treatment of the character – I could consider more than just Azzarello’s run. (Again, if I am being completely honest, two of my best good friends also told me I might like. It did take two of them.)
I have now read all seven issues of Superman/Wonder Woman, and I liked it. Mostly. Continue reading
With Brian Azzarello and Cliff Chiang officially departing the Wonder Woman book this summer, our favorite Amazon is ripe for reassessment and, one can always hope, redemption. According to Bleeding Cool, Meredith and David Finch will take over writing and illustrator duties respectively.
Of all the issues G3 has had with the current run, Chiang’s exceptional art wasn’t one of them. Given the many conversations that have taken place about how female comics characters are drawn (See: The Hawkeye Initiative), the fact that DC is putting its marquee superheroine in the hands of an artist whose style skews cheesecake is a letdown but, at this point, not surprising. Having never read any of Meredith Finch’s work, I am keeping an open mind. Simply making the stories about the title character would be an improvement.
After V. and I reached our individual breaking points with the current state of Wonder Woman, we started talking about the times when creative teams got Diana absolutely right. In the spirit of being constructive, we decided to share some shining moments that captured the Amazon princess as she should be. Continue reading
The women of G3 stopped buying Wonder Woman months ago. But on occasion, I still read the issues in order to review them. Today, I read Wonder Woman #25 for that very reason (review forthcoming).
EDIT: Here’s that review.
The issue opens with Zola, Hera and Diana having coffee talk. In a flagrant “Fuck you!” to the Bechdel Test; first they compare notes about Hermes spying on them, then they expound upon how Apollo affected Hera and then Orion shows up to “save them” from Hermes’ watchful eye. The pixie-dream Strife punctuates the family gathering with an obvious attempt at subversion. Strife doing what Strife does, gives Diana a gift. It’s the helmet of the recently deceased Ares and we are presented with this gem of a panel … Continue reading
DragonCon is so uniquely festive that it’s entirely possible to have a good time simply by being a voyeur. But after several years of sitting on the sidelines, I decided that it was time to find my inner superheroine, put on a cape and join the cosplaying masses. Project Nubia quickly became a bucket list undertaking that involved an extensive search for comfortable silver boots, driving to another city for a costume fitting, trying out poses in bathroom mirrors and wearing Spanx in the soul-sucking Atlanta heat. Continue reading
Wonder Woman has been on my pull list for seven years straight. After reading Wonder Woman #20, I dropped it.
I don’t mention it in my review, but Diana was in only 8 of the 20 pages in this issue and she didn’t even make an appearance until page 5. When she does appear, her thunder is stolen almost as quickly as it appears.
I swear Brian Azzarello is mocking Wonder Woman fans.
I imagine him reading the bad reviews and angry tweets while stroking his beard and laughing maniacally. “You wanna talk shit about me, eh? Watch what I do to your beloved princess.”
The thing is … Azzarello has done very little with the character apart from having her slapped on the ass. Rucka’s Wonder Woman would have never been slapped on the ass.
My character loyalty has continued the support of this book for about a year too long. I refuse to endure another month of disappointment especially when there are many other female-led comics that are better.
Fatale is one of them. I reviewed that too.
When people walk into my office for the first time, they immediately notice two things: My Beatles poster and a framed picture of Wonder Woman, illustrated by the incomparable George Perez, which occupies a place of honor on the bookshelf. She’s not just a character I’ve loved since childhood, but also a source of inspiration; a symbol of strength and inherent goodness. Wonder Woman is the reason I fell for superhero comics as a child, and I’ve been known to say that it would be a cold day in hell before I stopped buying her book.
That day arrived a few Wednesdays ago when I asked the owner of my LCS to drop Wonder Woman from my pull list. Continue reading