Having rattled many a figurative comics cage in my blogging time in attempts to get publishers to take notice (and they didn’t), it is beyond gratifying to see Spider-Gwen #1 come to print. Last September, a spidey-powered Gwen Stacy graced the pages of Edge of the Spider-Verse #2 as just an alternate-world character, but the fan response was so overwhelmingly positive that Marvel gave Gwen her own book.
Buddy cop comics really aren’t my thing unless it’s Birds of Prey, and they’re not really cops. Although, I’d totally ready a book that paired up Renee Montoya with Starling. That’d be fun. I digress.
Miami Vice had the ultimate buddy cops. Tubbs and Crockett set trends that have reverberated through the film and television generations. Now, there is a comic. One that I think is totally worth your time, particularly if you were ever a fan of the show. This version has some modern pop culture mixed in and Jim Mahfood’s extravagant art. “Remix” is a perfect moniker.
“The rules are simple. The gun is always loaded. The safety is always off. The fucker always fires.”
As a brief introduction, Casanova #8 was one of the first comics I picked up when I started working at a comic shop in 2008. I had no idea what it was – it might have been a FCBD promo – and the title led me to believe that it would revolve around a dude boning a lot of ladies or something. Not really my wheelhouse, but the cover drew me in immediately. Continue reading “REVIEW: Casanova Acedia #1”
Waid and Samnee continue to create an excellent comic in DAREDEVIL.
Tons of my comic nerd colleagues sing the praises of Mark Waid and Chris Samnee’s Daredevil. So, I have known for like years that I should probably read it, but it’s just one of many books I had not gotten around to reading yet. Continue reading “REVIEW: Daredevil #12”
Dark Horse Comics kicks off the year with an excellent new comic called Lady Killer by Joëlle Jones, Jamie S. Rich and Laura Allred. I’ve actually been a fan of Joëlle’s style for quite some time now, and you may have seen her selling some of her prints at a con near you. Anyway, her talent is thoroughly showcased in this book. The art is fantastic, you guys. And Laura Allred’s colors are to die for (pun intended). Continue reading “REVIEW: Lady Killer #1”
In a previous post, I provided ample evidence that Veronica Lodge is the worst best friend in comics. I also issued a plea for Betty to, once and for all, tell that backstabbing, entitled heifer where to go after decades of this nonsense. She finally did, and it was fantastic. (Spoiler Alert)Continue reading “Panel of the Week: Betty Grows a Spine”
How do you take the exploitation inherent to the “Women in Prison” genre fiction and turn it on its head to be an allegory for patriarchal oppression giving way to an unapologetic feminist theme? Continue reading “REVIEW: Bitch Planet #1”
E. dives in to what makes Alex + Ada worth your time.
If you had the resources, would you buy companionship? Not the temporary human kind but something programmed to serve and please you? And what if that companion were so lifelike that, at first glance, you wouldn’t know he or she wasn’t sentient?
It’s possible in Alex + Ada (Image), and the answers aren’t as simple as you’d think. The subject of people interacting with human-like beings has been explored before, but Alex + Ada goes beyond the obvious pros and cons to unfold in ways that are surprising, frequently suspenseful and emotionally resonant. After totally sleeping on this comic by Jonathan Luna and Sarah Vaughn for the past year, I’ve gone into full binge-reading mode. Continue reading “Binge Reading: Alex + Ada”
Wonder Woman entered the Meredith and David Finch era last week with issue #36, and the good news is that it succeeds in bridging the previous run and the new without being off-putting for new readers. Those of us who were worried about Diana looking overly cheesecakey can breathe easy, as David Finch’s take on the character is respectful. Meredith Finch’s story is perfectly fine overall, and I’m glad to see Wonder Woman back at the center of her title. There is no real “wow” factor to the proceedings, though. That’s not a deal-breaker this early in the game, but I do hope there is more than standard fare on the horizon. Check out my full Newsarama review HERE.
I love it when a new character comes along and lights my fire. Punk Mambo would be just such a character. Born in the pages of Shadowman, she is Peter Milligan’s baby. She’s definitely got spit and fire. She’s also got a cavalcade of dark magic that could totally melt your face. The best part about her is that she marches to the beat of her own strange drum. I reviewed the one-shot out tomorrow by Valiant, and this would qualify as a great girl story. You can read my full review HERE.
I am fully under the spell of “The Chilling Adventures of Sabrina,” the latest top-notch offering from Archie Comics. Written by Roberto Aguirre-Sacasa, it’s a dark, compelling and completely accessible story with fantastic art by Robert Hack. Read my full review of issue #1 HERE.
Ever since Spider-Gwen was announced, the comic world has been buzzing with praise for her design, cosplayers are popping up at cons and there was an all-around anticipation-high for the character. Jason Latour and Robbie Rodriguez’s Edge of Spider-Verse #2 features Gwen Stacy as the unwitting soul who got bit by a spider in all her tenacious glory. It’s a strong start and a great (girl) character. You can read my full review HERE.
Where V. talks to Kelly Sue DeConnick about Barbarella.
If you appreciate the cultural significance of comics, then Barbarella should be a part of your repertoire. Mind you, I didn’t know this until about two months ago. I hope to save ya’ll from such ignorance.
If you don’t know, Barbarella is a French comic from the early sixties by Jean-Claude Forest. Apparently, France was (and possibly still is) where it’s at for progressive themes in comics, particularly for women and the expression of their sexuality.
While Barbarella was busy being a women’s sexual liberation icon in France, Grove Press published an English version of the comic on this side of the pond in the mid-60s. But that translation is dated.