I have a confession. I haven’t been reading much DC Comics… lately.
Yeah. I like Black Canary, but mostly because I am obsessed with the character and Annie Wu’s art. Bombshells is also a fine example of a superhero comic, and I do get my Secret Six on from time to time. That about sums it up.
I feel kind of blasphemous about it all. Birds of Prey. Wonder Woman. Superman: Birthright. These are the reasons I fell down the rabbit hole, and now I couldn’t give two shits. Much of the recent continuity, excluding Multiversity, rings wholly uninteresting to me. I will acknowledge that my aesthetic has certainly evolved since I began reading comics, and that is undeniably a part of my lackluster feelings towards DC. Also, who am I to judge when I am reading a whopping THREE titles?
So. Here’s me. Reading more DC. Trying to prove myself wrong.
Turns out. It worked.
Check my review of Harley’s Little Black Book #1 featuring Wonder Woman and drawn by Amanda Conner (YAY!). And I went ahead and reviewed Midnighter #7, too. Writer Steve Orlando has a particularly biting vernacular unlike any other, and Aco’s art is fanfreakingtastic. Check it.
Falling in love with the many gorgeous statues that are made of our cherished comic book characters can be an expensive endeavor. I was personally obsessed with the second Ame-Comi Wonder Woman designed by artist Dustin Nguyen. You know, the one that is an homage to Greg Rucka’s Wondy that decapitated Medusa blind? Yeah. I eventually got my hands on one, but at great cost to a former paramour as in he paid a pretty penny for it.
DC’s Bombshells statues are just as admirable, if not more. They’re fun, creative, cosplay worthy and inspire all kinds of ideas… you know, like for a comic book! Continue reading
Fables was one of the comics I cut my teeth on, and it will always hold a special place on my shelf. Today, the final (mega) issue of Fables hits comic shops, and the unconventional, intricate, addictive fairy tale is over. Bill Willingham, Mark Buckingham, Steve Leialoha and all the other wonderful artists and editors totally stuck the landing.
You can read my full review HERE.
You guys! Annie Wu‘s pencils on Black Canary are SO GOOD! I’m basically obsessed, and over-the-moon that Wu is the one drawing my favorite character. I’d be remiss not to mention Lee Loughridge‘s colors. He does fantastic things for the tone of the book. The two of them combined SET the tone of the book. It’s edgy, but not trite. It’s modern and stylized. The art is basically the shit. I mean LOOK at my girl…
Also, check my full review of Black Canary #2 RIGHT HERE.
Writer Mark Waid and artist Fiona Staples are working a special kind of magic with Archie #1. They’ve managed to create something that’s fresh and surprising without sacrificing any of the things that make the best Archie stories so much fun. The two of them just plain get it, and the result is a flawless re-launch that will delight longtime readers and intrigue newcomers. Continue reading
Responding to all the buzz (including the very important opinion of E.), I was compelled to read Midnighter. It’s a hell of a comic, that is for sure, delving into Secret Six caliber commentary and characterization. Continue reading
Having rattled many a figurative comics cage in my blogging time in attempts to get publishers to take notice (and they didn’t), it is beyond gratifying to see Spider-Gwen #1 come to print. Last September, a spidey-powered Gwen Stacy graced the pages of Edge of the Spider-Verse #2 as just an alternate-world character, but the fan response was so overwhelmingly positive that Marvel gave Gwen her own book.
What does that mean? Continue reading
Buddy cop comics really aren’t my thing unless it’s Birds of Prey, and they’re not really cops. Although, I’d totally ready a book that paired up Renee Montoya with Starling. That’d be fun. I digress.
Miami Vice had the ultimate buddy cops. Tubbs and Crockett set trends that have reverberated through the film and television generations. Now, there is a comic. One that I think is totally worth your time, particularly if you were ever a fan of the show. This version has some modern pop culture mixed in and Jim Mahfood’s extravagant art. “Remix” is a perfect moniker.
You can read my full review HERE.
As a brief introduction, Casanova #8 was one of the first comics I picked up when I started working at a comic shop in 2008. I had no idea what it was – it might have been a FCBD promo – and the title led me to believe that it would revolve around a dude boning a lot of ladies or something. Not really my wheelhouse, but the cover drew me in immediately. Continue reading
Tons of my comic nerd colleagues sing the praises of Mark Waid and Chris Samnee’s Daredevil. So, I have known for like years that I should probably read it, but it’s just one of many books I had not gotten around to reading yet. Continue reading
Dark Horse Comics kicks off the year with an excellent new comic called Lady Killer by Joëlle Jones, Jamie S. Rich and Laura Allred. I’ve actually been a fan of Joëlle’s style for quite some time now, and you may have seen her selling some of her prints at a con near you. Anyway, her talent is thoroughly showcased in this book. The art is fantastic, you guys. And Laura Allred’s colors are to die for (pun intended). Continue reading
How do you take the exploitation inherent to the “Women in Prison” genre fiction and turn it on its head to be an allegory for patriarchal oppression giving way to an unapologetic feminist theme? Continue reading
If you had the resources, would you buy companionship? Not the temporary human kind but something programmed to serve and please you? And what if that companion were so lifelike that, at first glance, you wouldn’t know he or she wasn’t sentient?
It’s possible in Alex + Ada (Image), and the answers aren’t as simple as you’d think. The subject of people interacting with human-like beings has been explored before, but Alex + Ada goes beyond the obvious pros and cons to unfold in ways that are surprising, frequently suspenseful and emotionally resonant. After totally sleeping on this comic by Jonathan Luna and Sarah Vaughn for the past year, I’ve gone into full binge-reading mode. Continue reading
Wonder Woman entered the Meredith and David Finch era last week with issue #36, and the good news is that it succeeds in bridging the previous run and the new without being off-putting for new readers. Those of us who were worried about Diana looking overly cheesecakey can breathe easy, as David Finch’s take on the character is respectful. Meredith Finch’s story is perfectly fine overall, and I’m glad to see Wonder Woman back at the center of her title. There is no real “wow” factor to the proceedings, though. That’s not a deal-breaker this early in the game, but I do hope there is more than standard fare on the horizon. Check out my full Newsarama review HERE.
I love it when a new character comes along and lights my fire. Punk Mambo would be just such a character. Born in the pages of Shadowman, she is Peter Milligan’s baby. She’s definitely got spit and fire. She’s also got a cavalcade of dark magic that could totally melt your face. The best part about her is that she marches to the beat of her own strange drum. I reviewed the one-shot out tomorrow by Valiant, and this would qualify as a great girl story. You can read my full review HERE.
And in case you missed it, I reviewed the final issue of Azzarello and Chiang’s Wonder Woman a couple of weeks ago. You will not be at all surprised to know that I got a little saucy with it. While you’re there, check Lindsey’s review of Elektra, too.
You guys, Robert Gill’s art is baller!
I am fully under the spell of “The Chilling Adventures of Sabrina,” the latest top-notch offering from Archie Comics. Written by Roberto Aguirre-Sacasa, it’s a dark, compelling and completely accessible story with fantastic art by Robert Hack. Read my full review of issue #1 HERE.
Ever since Spider-Gwen was announced, the comic world has been buzzing with praise for her design, cosplayers are popping up at cons and there was an all-around anticipation-high for the character. Jason Latour and Robbie Rodriguez’s Edge of Spider-Verse #2 features Gwen Stacy as the unwitting soul who got bit by a spider in all her tenacious glory. It’s a strong start and a great (girl) character. You can read my full review HERE.
Edge of Spider-Verse’s Spider-Woman by W. Scott Forbes
As a longtime Riverdale fan, I had all of the feelings when Archie Comics announced a certain iconic redhead’s death in Life With Archie #36, out last week. You can read my review in Newsarama (and Lindsey’s review of Squidder #1), but suffice it to say that it fell short in my opinion. I say that as someone who has thoroughly enjoyed the Life With Archie series overall and cares about the characters in that universe. Check it out, and if you’ve read this issue, I’d love to know what you thought.
On brighter note, my friend Craig had an amazing idea: “It’s the perfect opportunity to pitch my proposal for “Betty and Veronica: Riverdale’s Avenging Angels.”
You’re welcome, comics.
You know how much I love crossovers, right? In last week’s issue of Superman/Wonder Woman, the Superman: Doomed arc dominated its pages and not really in a good way. As is the case almost all of the time in a crossover event, you are missing key pieces when you don’t read all of the titles in order. So, there was that. Continue reading
One of the most memorable and well-done stories in recent history over at the DC of comics is Greg Rucka’s Detective Comics featuring Batwoman and his creation of the antagonist, Alice. When J.H. Williams was chosen to relaunch Batwoman on her own title, he made it clear that Alice would only be revisited with the utmost of care because he had so much respect for what he and Rucka had done previously. While he was on the book, Alice was revisited in his final arc, and I think he did a fine job. Continue reading
Seems like Deadly Class is making quite the splash as is the way of things when Rick Remender is at the helm. Check Lindsey’s full review of Deadly Class #2 right HERE.
We love our leading ladies, and the latest superheroine to get her own title is She-Hulk. Check Lindsey’s full review right HERE!
The all-female X-Men started off full of promise. The first issue had a solid premise and was graced with Olivier Coipel’s stellar lines. The first arc laid the groundwork for a variety of female characterizations we rarely get to see in superhero comics like single-motherhood and alpha-female postulating. Continue reading
There’s been plenty of buzz surrounding the release of Ms. Marvel #1 featuring a new title character, Kamala Khan. Kamala is a 16 year-old Pakistani-American, Muslim geek girl who loves the Avengers, fantasizes about being super and just wants to fit in with her peers. Continue reading
Yesterday at the comic shop, I grabbed a peek at Deadly Class #1 because I knew it was Remender’s new book. As you know, I am a follow-the-writer kind of fangirl. A quick perusal of the pages struck me with some fantastic art.
For more on Deadly Class #1, check Lindsey’s full review right HERE.
I am a massive Beatles fan and relished the opportunity to geek out with Sidebar Nation’s Swain Hunt about Dark Horse’s “The Fifth Beatle: The Brian Epstein Story” in a Sidebar podcast. This truly exquisite and poignant graphic novel tells the story of the Beatles’ manager, Brian Epstein, the man who played a central role in making them icons and struggled greatly in his personal life as a closeted gay man. Written by Vivek J. Tiwary and gloriously illustrated by lead artist Andrew C. Robinson (with notable contributions by Kyle Baker), it’s one of the best things I’ve read this year. We loved the hell out of it, so check us out as we discuss the many highlights.
CLICK HERE to listen to the podcast.
I had the privilege of reading the new Image series by Kelly Sue DeConnick and Emma Rios, Pretty Deadly. Teased last year at Comic-Con, the anticipation and fanbase that has grown for a book that doesn’t see its first issue released until tomorrow is remarkable. The Pretty Deadly Tumblr is alive with fanart and cosplayers making plans to be Death’s daughter, Ginny, at their next con.
My Archie love has been well documented in the G3 space. However, I know there are plenty of comics readers who care as much about Riverdale as I do about zombies. Which is to say, not at all. But believe me, you don’t have to be a big fan of either to enjoy Afterlife With Archie #1, a new horror-themed series that knocked my socks off. “But E.,” you’re saying right now, “Give me one good reason to spend $2.99 on a comic about a bunch of goofy teenagers inhabiting a sanitized version of middle America.”
I’ll give you five.
I love Jonathan Crane. I love the shit outta him. So I read this comic.
It was… disappointing. To say the least.
Tomasi writes a pretty good Scarecrow but as a whole… why do I even bother with DC anymore? I’ve had it with thinly veiled cash grabs whose only purpose are to give insight into the plot of OTHER comics.
Read the full review HERE
Based on my glorious experience with Uncanny X-Force, I already knew Rick Remender was a good writer. While I have plenty of faith in his talent, I didn’t think he was so good that he could make a character like Captain America compelling.
I was wrong.
What do I mean by “a character like Captain America?” He’s as white-bread and straight-edge as it gets. While I don’t actively dislike the character, he certainly wasn’t interesting to me … until now. In just one issue, I like the guy. I may even come back around for another issue or two.
You can read my full review of Captain America #11 HERE.
Hey guys! I’m reviewing stuff again. This week is two quick reviews on Gail Simone’s slow-burn in The Movement #4 and the explosive final issue of The Legend of Luther Strode.
When The Strange Talents of Luther Strode hit the shelves last year, that book was pure energy and wildly addicting. I actually didn’t catch on to that trend until about issue five, read all of them … and squirmed until issue six came out. Justin Jordan and Tradd Moore’s Luther Strode is super intense, super violent and yet quite novel.
The Legend of Luther Strode is the second mini-series featuring Luther, Petra and a bevy of other misfits and I enjoyed it. But … I think this pony needs some new tricks because the novelty is wearing thin, even though the quality is still there. Word on the wind is we will be getting The Legacy of Luther Strode next year. I am still so going to read it, but I do hope these talented creators will bring a surprise or two.
That aside, Petra totally kicks ass in this issue. She massacres a couple of female fiction tropes which is one of my favorite things to read in the whole wide world. Not hyperbole.
Now, about The Movement. We here at the Church of Gail Simone give all available benefits of doubts and trust in her ability to weave a fine web of comic bookiness. I’ll admit, The Movement has been an acquired taste, but one that I think is well worth your time … and mine. When a writer references the Triangle Shirtwaist Factory fire, it implies a thoughtfulness and a care for the injustices suffered by marginalized people. It’s culture in our comics … the all-to-often-ignored culture is the kind of stuff I like to read and support in our sea of escapism. I’ve still got some reservations about the art. I’d like Nicola Scott or Amanda Conner drawing these characters. Rags Morales would be a good fit, too. A fangirl can dream, right?
You can read my reviews HERE.
Seven years is a long time for a character’s story to last under one writer, but that is how long Grant Morrison has been building up to his final chapter for Batman. I have read his entire run including Final Crisis and 52, and his Batman is the only Batman I currently like. I know. I know. Some love Snyder’s Bat, and I hear Layman does a stand up job on ‘Tec.
The truth is, I don’t like Batman as a character. He doesn’t interest me. Continue reading
Just in case you happened to miss it yesterday, dear readers, I reviewed Adrian Tomine’s Optic Nerve #13 over at Newsarama. This was one of the first comic series that got me hooked on indie in the first place, and is well-worth looking into. Tomine is a master of his craft. You can read it in full HERE.
Just in case you fine folks missed it, last week Lindsey reviewed Paul Pope’s one-shot, The Invincible Haggard West #101. She gave it very high marks. Being that Lindz is so cool and smart, this book probably is, too. You can check her review HERE.
Then, last Wednesday saw the release of Gail Simone’s much-anticipated Red Sonja from Dynamite Entertainment. Erika jumped at the chance to let the world know it’s just as good as we thought it would be. You can read that review HERE.