Dragon*Con 2012 was a wonderful weekend and a successful journey into my first cosplay experience. I podcast with my precious Padawan, Dana, about Dragon*Con, my Black Canary costume and DC Comics Stimulated Boredom. Give it a listen, won’t you?
Happy Friday, darlings! I just woke up from last weekend, and wow, what a weekend it was. Dragon*Con 2012 was a wildly beautiful celebration of geeky fandom. This con never ceases to be brilliant. So much happened at Dragon*Con this year that I cannot even begin to describe it all. Here are the high points in my experience and some fantastic links from around the interwebs. Continue reading
If you have a friend or family member who is baffled by con culture, show them the Morgan Spurlock-directed documentary Comic-Con IV: A Fan’s Hope. With sincerity and affection, it explains to the uninitiated and/or judgmental the world that our crowd knows so well. Alas, we live in a society that interprets wearing a giant, plastic cheese on your head as mere enthusiasm, but regards cosplay as weird. Go figure.
Amid all the geeking out, the movie — filmed at San Diego Comic-Con in 2010 — acknowledges the elephant in the room: Comics have been relegated to the background of a giant convention with “comic” in the name, and that is now largely about mass entertainment. It’s unreal to look at old photos of the first Comic-Con in 1970 and compare those images to the huge scene it is today.
E. and I had such a spectacular experience at Dragon*Con, we have now made it our mission to go to as many cons as possible. We both have kids, jobs, and you know, just general responsibilities. So, there is some planning and reality involved. We’re Florida gals, and the word in Artist Alley is that MegaCon has a prominent comic book presence. Thus the next con we will attend is MegaCon in Orlando.
It is well known that one of the great joys of cons is the cosplay. I have decided that for MegaCon, I will be donning a costume. Black Canary has long been a favorite of mine. I’ve always said if I ever dress up, it would be as Gail Simone and Ed Benes’ Black Canary. But recently, I’ve sort of fallen in love with the design of Aphrodite IV that appeared in Artifacts #1. So now I am torn, and I need a little help deciding.